A Quote by Eyvind Kang

There is some music that's truly dark, in that it's dark in terms of hopeless. But then again, the act of hope is just making the work of art. — © Eyvind Kang
There is some music that's truly dark, in that it's dark in terms of hopeless. But then again, the act of hope is just making the work of art.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.
Some people like the dark music I do. The dark music is my life; it isn't make believe.
For me, 'Dark Souls III' is the end, but that doesn't mean the end for 'Dark Souls.' If someone other than myself, like another staff member, wants to make a 'Dark Souls,' then I don't want to deny others from making future installments.
Non-churchgoer s tend to see Christians as takers rather than givers. When Christians sacrifice and give wildly to the poor, that is truly a light that glimmers. The Bible teaches that the church is to be that light, that sign of hope, in an increasingly dark and hopeless world.
No name-calling truly bites deep unless, in some dark part of us, we believe it. If we are confident enough then it is just noise.
I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
...we should all fortify ourselves against the dark hours of depression by cultivating a deep distrust of the certainties of despair. Despair is relentless in the certainties of its pessimism. But we have seen again and again, from our own experience and others', that absolute statements of hopelessness that we make in the dark are notoriously unreliable. Our dark certainties are not sureties.
A lot of people thought 'Funcrusher' was super dark and hopeless, and I don't think it was hopeless in any way.
When people ask me what my dream role would be, I tell them that it's to play someone very dark. Very dark - like someone involved in the drug world or some other criminal venture. Maybe someone who's delusional or not all there or just not well. I really hope I can do that one day.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
Showing just the dark side doesn't always work. The important thing is to show what we can learn from dark things, what good we find there.
Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.
This site uses cookies to ensure you get the best experience. More info...
Got it!