A Quote by Eyvind Kang

In a way, all recorded music is reduced to the same level, no matter what it is. You find it in the store, you put it on and, "Oh, that's not cool. That's gangsta rap. That's white supremacist punk." But in a way, the content is removed from the intention of the people that made it. That's the commercial level of music.
For me, I like old-school rap music. There was a time when music was so, so rich overall, and the content of what people talked about was so deep on every level, song-for-song, pound-for-pound, and on radio, there was so much content. I gravitate more towards that type of music, to be honest.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
I don't own a gun. I'm a pacifist. I am a critic of commercial gangsta rap music. I don't believe you change people or their flawed perspectives from a distance. You open their minds from up close, when they realize you respect and love them.
We create music to express ourselves and when the world relates, that's a beautiful thing. We're all trading off each other's culture, so no matter what lines you put--country indie rock, rap, we're all somehow gonna find a way to come together.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
Gangsta rap was a ploy to convince black people to kill each other. Gangsta rap didnt exist.
Nas always been my favorite rapper, but 50 Cent, he changed my way of thinking about music 'cause he was so detailed in his music, I knew that wasn't lying. I never felt Tupac that way; I never felt Biggie that way. I love Nas music, but I never felt and believed like, 'This is for real.' 'Cause I grew up that gangsta lifestyle.
Being involved with BABYMETAL has allowed me to acquire more chances to really become involved with music. As a result, I find myself noticing each individual instrument the band plays and I feel that I have found a new way of enjoying music on a deeper level.
I've always recorded the same way. I put down as many ideas as I have, then strip them away at the mixdown. It's better to have too much music than not enough.
I just want to put my stamp on all kinds of music. Everything I do is going to be gangsta rap, street-based, street-oriented.
In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
Anybody can put sexual content to music, but I feel like I took it to a next level where it's a mood or feel.
The first music I heard that made me put away my comic books and make music was original punk.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.
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