A Quote by Ezekiel Emanuel

Anyone who lives in Washington and has an official position viscerally understands the cost of a lack of privacy. Every dinner - especially ones with a journalist in attendance - is preceded by the mandatory, 'This is off the record.' But everyone also knows, nothing is really 'off the record.'
Anyone who lives in Washington and has an official position viscerally understands the cost of a lack of privacy. Every dinner - especially ones with a journalist in attendance - is preceded by the mandatory, 'This is off the record.' But everyone also knows, nothing is really 'off the record.
When you get a record attendance for What Culture Pro Wrestling - or just recently with Matt Cross, we did a record attendance for Next Gen in Tennessee. These are various brands. They're not rinky-dink. They're small - they're not WWE - but their soul is there.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Even Disney - off the record, but on the record - knows that I have the power. They love me because of that. I don't act like it. I'm not walking around all cocky, but the tables have turned.
Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
Anyone who knows anything about journalism knows that reporters are rarely in a position to investigate anything. They lack the authority to subpoena witnesses, to cross-examine, to scrutinize official records. They are lucky to get their phone calls returned.
If someone tells you something is off the record, I don't print it. If they don't tell me something is off the record, then it's fair game.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
With a Grammy, if you're releasing your record with a major label, you have a chance with any record. You also have a very long shot with every record.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
There's a Washington standard of casually putting things off the record. It's really gone too far. I don't know an easy way to turn it back.
What I say on a record and what I say off a record is two different things. And that's always been the case. There's a difference between confidence on a record and arrogance.
He who knows nothing loves nothing. He who can do nothing understands nothing. He who understands nothing is worthless. But he who understands also loves, notices, sees. The more knowledge is inherent in a thing, the greater the love.
No one was more surprised that that first Boston record took off than the record company itself.
The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.
The quicker we get rid of the lobby system the better for all of us. I don't think in this day and age it is tenable to have these nods and winks, and on-the-record and off-the-record briefings.
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