A Quote by Ezra Furman
I just don't care that much about the band name. I'm not so precious about it. The Harpoons were different people, but The Boy-Friends were and are the same people as The Visions. I changed it to The Visions when we made 'Transangelic Exodus' because I guess we didn't feel so friendly and boyish anymore.
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When you had the World Trade Center go, people were put into planes that were friends, family, girlfriends, and they were put into planes and they were sent back, for the most part, to Saudi Arabia. I would be very, very firm with families. Frankly, that will make people think because they may not care much about their lives, but they do care, believe it or not, about their families' lives.
I do question a band's longevity, because most of my favorite bands only made one or two good albums. After that, I didn't care about them anymore. Sometimes I wonder if people feel the same thing about us. The way I look at it is, if we can continue to inspire ourselves and write really beautiful music that we're proud of, I don't think there's any intention to stop.
On to the Next Dream became about much more than me facing a challenging situation; it became about how all of us feel when we're thrust unexpectedly into change. It's about how we all hold onto personalized visions of our lives, our city, and our culture, and what we do when reality forces us to confront the impermanence of those visions.
Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
The Strokes, you bond when you're 18, and you're friends. The feeling's different. When all of us get into a room, we feel like the same people from before. We weren't anybody; we were just hanging out. It's hard to understand if you're not in a band. You're one-fifth.
So much has changed about the culture, it's so much more about money and celebrity. Celebrity not in the sense of people who achieve something, because in the old days, I think if you were famous it meant you were an achiever. Now it's the Kardashians.
When people say all politicians are the same, ask yourself if Obama was the same as Bush, if Francois Hollande is the same as Sarkozy. They are not. They are human beings with different views and different visions for the world.
The ball scene was never really only gay people. I think people have this notion that if there's a man hanging around a gay man, he must be gay, but that's just stigma. Back in the day, it was the same; there were lots of different people there: gay, straight, whatever. They did not care what they were called because they knew who they were.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
The dreams and the visions of the Israeli founding fathers, these were very very ambitious dreams. They were world reformers. They wanted to create a new and improved kind of humanity, or at least, a new and improved Jewish society, a new and improved Jewish individual human being here. The whole Zionist project was based on a whole spectrum of different and even conflicting dreams and visions.
I remember in the days when we started, when we first went on the road, we went to Berkeley and played with Exodus. We couldn't believe another band was playing the same kind of music we were playing because there was only a handful of bands that were doing it.
People don't know about the human part of me that really cares about the world. For instance, I don't know what I feel about wearing my furs anymore. I worked so hard to have a fur coat, and I don't want to wear it anymore because I'm so wrapped up in the animals. I have real deep thoughts about it because I care about the world and nature.
The fact that there's people out there that care about what I'm eating for breakfast or care about a tweet that I posted in 2012 that they pulled up because they were searching on my Twitter and things like that - it's hard to understand, because it's just me, and I just think, 'What's so interesting about me?'
Obviously the way people watch TV has changed so much, too, that it's not necessarily about the ratings anymore. There's a different kind of time lapse; you put it out there and people absorb it at their speed, not just on Monday night at eight.
The decision to change the name meant we were getting serious, because we couldn't make a record if some other band had the same name as us.
I told the boys I was in a record store, thumbing though 45s, and I'd seen a record with the name the Warlocks on it. I've often wondered whether I hallucinated it, because I never saw the record again and I never heard a word about any band called the Warlocks.
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