A Quote by Ezra Furman
If you're trying to deal with being a marginalized person and trying to confront a larger population that isn't the same as you, you can be friendly about it, and invite everybody in, or you can be angry about it and be hostile and attack the systems that you want to destabilize.
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Being on the same level as everybody is really important to me. I'm trying to do really basic stuff like communicate, convey, talk, see, and invite joining and intimacy. What I'm trying to do is attach. It's not about being separate.
Success isn't about reaching your goals; it's about striving for things, like the joy of trying to raise a family, trying to be a successful singer, trying to write good songs, trying to be a better person. It's that old thing about life being about the journey, not the destination.
We believe in the art of war. We are trying to get our competition to attack us with angry, virulent energy, so we can transform that into larger market share.
I'm trying to show people that I'm a person, and I deal with the same things as you guys, and I'm trying to make the best of it.
As a celebrity, I understand that people are intrigued about our lives and want to know more. But I am also a human being and I grow angry about the same things that any other person would.
I'm not trying to create an aesthetic that's my own; I'm trying to create a way understanding things through drawing and painting. That's the common thread. Things can look different, but that's not what's important. What's important is the process is the same, the ideas are the same, I'm using the same building blocks, but they're different. The larger framework is the same; it's the pieces that change. For me, it's about these different elements, but you're still fitting them together into sentences, words, paragraphs, and stories.
When you're acting, it's all about you and the person in front of you, and I think in life we forget to apply the same technique, and we get caught up in the panic of what we're trying to do - how overwhelmingly daunting the task of trying to become an actor is.
I feel it's my duty as a human being, as a person who is trying - like everybody else who thinks about the state of the world - to enhance the importance of multicultural connection.
I don't want people to leave the show being upset. So if I am trying to do a new joke, and sometimes I will talk about things like gun control or hostile massacre and I notice people being upset I will change the direction.
Paper Doll' is about being bullied, and about having someone in your life who is constantly trying to put you down, and trying to make you feel like you are not good enough being who you are.
I have never taken a job or done a job where I felt I needed to leave my conscience at the door. One of the great things about not being in politics as a career is that I can do this job without thinking about my career. I can think about what we're trying to do, what we're trying to accomplish and what we're trying to leave.
I have never taken a job or done a job where I felt I needed to leave my conscience at the door. One of the the great things about not being in politics as a career is that I can do this job without thinking about my career. I can think about what we're trying to do, what we're trying to accomplish and what we're trying to leave.
Female rage is not often acknowledged - never mind written about - so one of the questions I'm asking is, 'Are you allowed to be this angry as you grow older as a woman?' But I'm also trying to trace where my anger came from. Who made me the person that is still so raw and angry? I think that it's empowering to ask that question.
Sometimes, I want to talk on a song and be angry, because I am angry. Then there's always a part of me that remembers that this record lives past my being angry, and so do I really want to be angry about that? Is that feeling going to have longevity?
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
You'll also hear about the widening gap in the educated and the uneducated. The liberals will all say, "We must do something about it" and some in our population swoon, "Oh, yes, it's so unfair, and so unfortunate, and we've gotta do something about the inequality." So the Democrats then have their reason to do something about it, and the way they go about it is not trying to make people equal at all. The way they go about it is not even rooted in changing inequality, at the end of the day. The way they go about it is destructive for everybody.
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