A Quote by Ezra Furman

My bassist Jorgen Jorgensen opened up my life to a lot of great, obscure old soul records. — © Ezra Furman
My bassist Jorgen Jorgensen opened up my life to a lot of great, obscure old soul records.
I want all that dirt and grime and life-sauce. A lot of my favorite old soul records have it, but you don't hear it on country records anymore.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
Jorgensen is tough, but Lin Dan is right up there. He is the best and biggest rival. I really want to catch all his records, but if I want to achieve that, then the most important thing for me is to stay healthy.
A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
I love listening to old records. Stuff from the '70s, even disco and funk records and a lot of early rock albums - what's great about those recordings is that you can actually hear the true tones of the drums themselves.
When you listen to early Leonard Cohen records or Joni Mitchell records, you feel like a window is being opened into someone's life.
It's bluesy, rocky jazz. I call it soul music, but it's not James Brown soul music. It comes from my soul. It comes from a deeper place. Duffy has that similar old school soul sound to herself. If I opened for Duffy, that would make sense to me, in my head.
I'm buying records a lot, like, every week I'm just buying old reissues or old originals or new records that I have heard about.
Somewhere in [China's] soul lurks the cunning of an old dog, and it is a cunning that is strangely impressive. What a strange old soul! What a great old soul!
Bassist Steve Uccello's Symmetria is filled with cool and unique sounds, textures, and musical ideas, evoking an imagined atmosphere of open spaces influenced by Ry Cooder's desert dusty roads as much as anything a bassist could conjure up. It fits a mellow, contemplative mood perfectly.
I do love the Nat King Cole stuff, the classic Christmas records. There's something about putting those records on and hearing his voice at Christmastime that brings back a lot of great memories of growing up.
It was evident however that the lawyers would have to have their say....This also opened up a vista both lengthy and obscure.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Well, almost everything is open - the political documents, the (unintelligible) of cabinet meetings. What has been opened now and what had been closed are things that many governments still close, and that is police files and trial records, trial records of the special courts set up by Vichy. And especially interesting are the trial records of the Purge Trials after the war.
My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.
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