A Quote by Ezra Furman
You know, a lot of people have an instinct to downplay the fact that they are performing and be, like, 'There is no theatre here. This is just me playing the songs.' At some point I just realised how much better it could be if you weren't shy about being a performer.
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I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
My point of view as a writer has to be a lot more ego-less than just like being some performer on stage with a hairdo.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
I write a lot of songs about being in love, how beautiful women are but I've definitely experienced that other side of love where you're in a situation where you love a girl so much but you just know for a fact that she doesn't love you the same. "Grenade" is the extreme way of saying "I'd do anything for you and why can't I feel you would do the same for me?
I have done some wonderful television, but you know, there's not as much exceptional material as there is in the theatre. So I do a lot of theatre, but really, as with most actors, I just love going from one to another. It's stimulating, it's diverting, it's a different way of life, and you know, I dearly like a good mix.
[ Being director] is really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time. It's about who fits that particular suit, you know?
Some people are good at performing in front of people like that, but I'm uncomfortable at it. I think maybe that's the difference between acting and being a performer. I don't think I'm a natural performer.
If I'm playing music in front of people, I'll lose days to nerves like really wasted days of just like being terrified. And then when I get out there, generally speaking, I enjoy it very much. But it seems to be I have to accept the fact that that's just part of the deal for me. And I can't just run on and do it.
Looking back, I'm surprised I had the nerve to do it, but I'm glad I did. Performing the songs and performing in film was just a part of my personality, just like football and boxing at one point in my life. I was able to lose myself in both of them, and that was a good feeling.
Just because it was multiple ligaments, just because of the trauma of the injury, they compared it to like a car accident. I didn't have anybody to follow, there was no timetable. I could get better, I could not get better. You just don't know. People fear what they don't know. I'm in the dark, and everything is just about faith.
I almost tell him that I'd never be able to do something like that, just take out my instrument and begin playing on a street corner. But it feels to personal. Yes, I'm shy, but why bring it to his attention? I'm too shy to talk about how shy I am.
I feel like you're being coy if you don't do something and celebrate the 20th or 25th anniversary in some way. Just as I've never, ever had any kind of embargo on playing songs from Endtroducing, no matter how much I wanted people to like my new stuff - I've never, ever stopped playing Endtroducing, for that reason as well. It's a give and take - it's a balance. If there's one theme, I guess, to this entire discussion, then it's that.
Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.
Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, "Thank you, I love you guys," or whatever. But now I've just kind of learned to work a crowd.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
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