A Quote by Ezra Furman

Lou Reed was an ideal figure to me. He was bisexual, like me, and seemed to inhabit an ambiguous middle place on the masculine-feminine spectrum. — © Ezra Furman
Lou Reed was an ideal figure to me. He was bisexual, like me, and seemed to inhabit an ambiguous middle place on the masculine-feminine spectrum.
'Pitchfork' said something like, 'Michael Imperioli wrote a book that sounds like Lou Reed fan fiction,' which maybe it is. It's fiction, and I'm a fan. But it's not about me, and it's not a Lou Reed book.
For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
Sweet Jane' is my favorite song by Lou Reed the writer, at least the Velvet Underground Lou Reed.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
Let's let our men be happy, be sad, be trans, be questioning, be bisexual, be non-conforming, be feminine, be masculine!
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
I think listening to a lot of Lou Reed when I was a teenager is what encouraged me to just sing however felt good to me.
I've always considered myself a little more fluid along the spectrum. So even being called bisexual... I remember, in my early twenties, I was like, 'But bisexual means I can only like girls and guys. What if I like something else?'
Lou Reed is something like a personal favorite of mine, but you could always put me into that drawer of singers who can't really sing, who speak their songs.
I love being Courtney, but it almost feels like something different to drag for me - it's a part of me, it's not a parody, it's a form of expression for me, a way to give my feminine and masculine sides an outlet.
I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
I definitely have a Luddite's approach to what's going on. I find that as I get older, I get stupider. For me, the iPhone is harder than reading Faust. I've been hanging out a bit with Lou Reed, and he's the complete opposite. He's into technology and is kind of like a toddler, compared to me, who's like an old 19th-century widow or something.
Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
The masculine DOES while the feminine IS. Major in the feminine, but minor in the masculine.
When I was 13, Lou Reed and the Velvet Underground made more sense to me than anything else.
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