A Quote by Ezra Furman
You have to make a character of yourself if you're going to be known to strangers.
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The Internet is full of strangers, generous strangers who want to help you for no reason at all. Strangers post poetry and discographies and advice and essays and photos and art and diatribes. None of them are known to you, in the old-fashioned sense. But they give the Internet its life and meaning.
If you are not able to communicate successfully between yourself and yourself, how are you supposed to make it with the strangers outside?
The Four Levels of Comedy: Make your friends laugh, Make strangers laugh, Get paid to make strangers laugh, and Make people talk like you because it's so much fun.
Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.
I'm very, very private; I don't enjoy talking about myself to strangers. Particularly strangers with tapes going.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.
The challenge for me as an actor is if you become a celebrity, you don't meet strangers anymore. And strangers are where we have our anonymity. And I believe it's essential for the soul to be anonymous, especially if you're going to be an actor.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
Anger is one of the most intimate of emotions and to expose it to strangers is one of the most stupid and sickening things to do. Never get angry with strangers because they are strangers.
If you're going to make a movie about a character who is a supervillain, it's fantastic to have a core sense of empathy for that character.
My view was that if you're going to make a mistake in your predictions, make sure you make them the right way. Don't put yourself into a situation where, in fact, you say you're going to do something, and then all of a sudden you can't.
When you create a character, you create it for yourself - you do whatever you want. It's your job to explore it in as many different avenues as you can in order to make it a fully wounded character.
You can reveal yourself on stage in a way that you can't on TV. If you drop a character on TV, it's death. Each character has to be ruthlessly, faultlessly played. But live, you can hint at what's going on behind. You can let the audience in a bit and go off the script.
I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.
As an actor, I think it's always important to separate yourself from your characters because, when you include yourself in a character, you're taking a liberty that you don't really have unless you're life is that incredibly close to the character.
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