A Quote by Ezra Miller

When I found film, it was like, 'Of course!' It was this very intense realization that this is perhaps the most powerful, honed context that I've found. — © Ezra Miller
When I found film, it was like, 'Of course!' It was this very intense realization that this is perhaps the most powerful, honed context that I've found.
By losing my external things, I found myself. I found something very powerful, very permanent, that I could have with me all the time.
Porter Rockwell was that most terrible instrument that can be handled by fanaticism; a powerful physical nature welded to a mind of very narrow perceptions, intense convictions, and changeless tenacity. In his build he was a gladiator; in his humor a Yankee lumberman; in his memory a Bourbon; in his vengeance an Indian. A strange mixture, only to be found on the American continent
I found it more pleasurable to write something, sing a melody over it. At a very young age, I kind of honed my writing skills, I guess.
From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
Genius, throughout history, has been found difficult to classify because it varies in amount: It's rare to find a genius in the context of the noun, but most people, if not all, have a bit of genius in them in the context of the adjective.
Greatness by nature includes a power, but not a will to power. ... The great man, whether we comprehend him in the most intense activity of his work or in the restful equipoise of his forces , is powerful, involuntarily and composedly powerful, but he is not avid for power. What he is avid for is the realization of what he has in mind , the incarnation of the spirit .
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
I like a good murder that can't be found out. That is, of course it is very shocking, but I like to hear about it.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
Engineering didn't take to me. And what saved me and kept me in college was I ran into ROTC cadets who were in a fraternity called The Pershing Rifles. And I found my place. I found discipline. I found structure. I found people that were like me and I liked.
I found that it was easiest to convey the information in the context of the life of the scientist or in the context of our own personal experience, and there was no idea that was too complicated that couldn't be explained clearly and directly.
Perhaps the most remarkable thing I found about the Bible was how flexible it is. Here we have a book written 3,000 years ago, with bizarre stories, peculiar laws, erratic deity, and yet we are able - through argument, selective reading, and desire - to find a powerful framework of laws and moral reasoning that have built a very successful society. So this Bible, for all its oddities and flaws, serves us beautifully after all these years.
I found it very difficult to explain to someone why you did a film. It's not like having a conversation.
Immediately surrounding the tranquil eye is the most violent part of the hurricane: the eye wall. The most intense wind speeds at the surface are found there.
The desert Arab found no joy like the joy of voluntarily holding back. He found luxury in abnegation, renunciation, self restraint. He made nakedness of the mind as sensuous as nakedness of the body. He saved his own soul, perhaps, and without danger, but in a hard selfishness.
What affected me most profoundly was the realization that the sciences of cryptography and mathematics are very elegant, pure sciences. I found that the ends for which these pure sciences are used are less elegant.
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