A Quote by Ezra Miller
I wouldn't want to lose out on my macho action movie just because I told people I was queer.
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I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
It's all based around the idea that basically VW cars are space age. They're the worst cars to use in action movie, because all the things you want to traditionally do in an action movie they won't allow you to do, because they make you drive safely if you want to or not.
I don't want to do an action movie, because I've acted in them, and they're so boring to do, because they're so technical. The headache of that is daunting. But, if it were an action movie with really interesting characters, how great would that be?
I want to do an action movie so badly, it just has to happen at some point in my career. I have to do an action movie. Like, I want to do the Angelina Jolie thing - the guns and the blowing things up.
I'm trying to tell men, 'Really show yourself. Do not be macho, because the biggest turnoff for a woman is a macho guy because women, they're very sensitive. They know you're macho because you're insecure.'
I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.
For whatever reason, I think we have one type of animated movie and it's so wrong. I want to do a drama, I want to do an action, a comedy. In live-action, there are all sorts of movies. There's independent movies, big movies, action movies, funny movies, and for us we have one movie.
Queer is invincible because people have tried everything - haven't they? What haven't they tried to do to queer people? And horrible things happened. But you never stop, because it's the truth of who you are.
That was my experience with everybody in the book. That was what was so cool. It's just an excuse to hang out with people. It's not for a movie; it's not for a magazine. No one's here telling us what to do. We're at my house shooting. I just get to go, "What do you want to do today?" We're only there because we want to be there because of each other. There's no other reason.
I finished The Freebie, which was a small relationship "talky" movie, and I was like, "I just want to get out of the house! And I want there to be some action, and I want some tension in there!"
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
There is another class of coloured people who make a business of keeping the troubles, the wrongs, and the hardships of the Negro race before the public. Having learned that they are able to make a living out of their troubles, they have grown into the settled habit of advertising their wrongs — partly because they want sympathy and partly because it pays. Some of these people do not want the Negro to lose his grievances, because they do not want to lose their jobs.
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
I'm determined to only work with women or queer people because it's always a straight dude at the soundboard. I just don't want to do that anymore! It dilutes the fruit-ness!
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
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