A Quote by Ezra Pound

The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth. — © Ezra Pound
The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.
On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.
There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. ... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.
The beginning is never the clear, precise end of a thread, the beginning is a long, painfully slow process that requires time and patience in order to find out in which direction it is heading, a process that feels its way along the path ahead like a blind man the beginning is just the beginning, what came before is nigh on worthless.
It was good of Friedrich Nietzsche to declare God dead - I declare that he has never been born. It is a created fiction, an invention, not a discovery. Do you understand the difference between invention and discovery? A discovery is about truth, an invention is manufactured by you. It is man-manufactured fiction.
But the life of freedom requires a beginning, and here a beginning is a resolution, and the resolution has its work and its pain-thus the beginning has its difficulty.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
I was nervous from the very beginning, and it got worse as the years went on. I was conscientious and wanted to do more, always, than I was able. I don't think, when I was playing, that I was ever happy - beginning at 4 o'clock any afternoon.
I always work the same way, starting from the beginning of the weekend, so I know at the beginning of the race, from all that I have analysed during the practice, whether I will win the race or not.
From the beginning, I always felt artistically inclined. I always knew I wanted to be an artist of some sort, even if I didn't know what an artist was. I clung to the arts. I always watched 'High School Musical' and those type of things.
I think people get a little resentful when they were there at the beginning, when they supported you when you played in front of nobody - which we still do. They get a little resentful when they have to share with new people. That's why I want to really look out for the people who've been with us from the beginning.
The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Usually, in the history of art, the narrower the focus in which the artist is forced to work, the greater the art.
What we call little things are merely the causes of great things; they are the beginning, the embryo, and it is the point of departure which, generally speaking, decides the whole future of an existence. One single black speck may be the beginning of gangrene, of a storm, of a revolution.
The object of reflection is invariably the discovery of something satisfying to the mind which was not there at the beginning of the search.
And yet the artist will go on with his work without knowing in some way if any of his representations are sound or unsound. The artist knows nothing worth mentioning about the subjects he represents, and that art is a form of play, not to be taken seriously.
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