A Quote by Ezra Pound
And the betrayers of language ...... n and the press gang And those who had lied for hire; The perverts, the perverters of language, the perverts, who have set money-lust Before the pleasures of the senses; howling, as of a hen-yard in a printing-house, the clatter of presses, the blowing of dry dust and stray paper, foetor, sweat, the stench of stale oranges.
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They say rubbers mainly for perverts. Dont know why. Think its very practical, actually. I mean, you spill anything on it and it just comes off. I suppose that could be why the perverts like it.
I had a feeling that Pandora's box contained the mysteries of woman's sensuality, so different from a man's and for which man's language was so inadequate. The language of sex had yet to be invented. The language of the senses was yet to be explored.
By 1833 the largest publisher in America, Harper and Company, boasted one horse-powered printing press and seven hand presses while the American Bible Society owned 16 new state-of-the-art, steam-driven presses and 20 hand presses.
The coming of the printing press must have seemed as if it would turn the world upside down in the way it spread and, above all, democratized knowledge. Provide you could pay and read, what was on the shelves in the new bookshops was yours for the taking. The speed with which printing presses and their operators fanned out across Europe is extraordinary. From the single Mainz press of 1457, it took only twenty-three years to establish presses in 110 towns: 50 in Italy, 30 in Germany, 9 in France, 8 in Spain, 8 in Holland, 4 in England, and so on.
Apart from medieval China, which invented both paper and printing centuries before the West, the world had never seen government paper money until the colonial government of Massachusetts emitted a fiat paper issue in 1690.
One way to think about what psychedelics are is as catalysts for language development. They literally force the evolution of language. You cannot evolve faster than your language because the language defines the culture of meaning. So if there's a way to accelerate the evolution of language then this is real consciousness expansion and it's a permanent thing. The great legacies of the 60's are in attitudes and language. It boils down to doing your own thing, feeling the vibe, ego-trip, blowing your mind.
The Chinese had gunpowder, but it didn't occur to them to put it in a gun. They possessed the compass but didn't go anywhere. They invented paper, printing, and a written form of their language, but hardly anyone in China was taught to read.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
Paper money is made of cotton, and I'm long cotton, by the way. One reason I'm long cotton is because Dr. Bernanke is out there running the printing presses as fast as he can.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
The main effect of the Internet on language has been to increase the expressive richness of language, providing the language with a new set of communicative dimensions that haven't existed in the past.
It's not my fault that people are perverts.
Money, after all, is an abstract artifact, like language - merely symbolized by the paper or coin or whatever. If you can fully grasp its abstractedness, especially in the computer age, it becomes quite clear that no group can monopolize this abstraction, except through a series of swindle. If the usurers had been bolder, they might have monopolized language as well as currency, and people would be saying we can't write more books because we don't have enough words, the way they now say we can't build starships, because we don't have enough money.
We probably, as primitive people, made music before we actually had a language, and that's where language comes from.
I think of myself as a translator. I just change the dry, unfeeling language of data into a visual language that allows for feeling.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
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