A Quote by Ezra Pound

Presentation, not reference. — © Ezra Pound
Presentation, not reference.
America's got amazing presentation, especially New York - the most potent, strongest, concentrated, amazing presentation.
Yes, good presentation is a vehicle for enhancing people and policies. But if the presentation fails, we have to look beyond the wrapping and see what is actually contained in the package, to see the substance of it.
That's my real message: I work very hard. We're an honest presentation, we try to give people entertainment and information at the same time, and it's working. I don't see any need for big drastic changes in our presentation.
Magic is 10% secrets and 90% presentation. Mentalism is 5% secrets and 95% presentation.
A book is judged, not by its reference to life, but by its reference to other books.
Gold is now money with reference to all other commodities only because it was previously, with reference to them, a simple commodity.
No reference is truly direct — every reference depends on some kind of coding scheme. It's just a question of how implicit it is.
If you make a 'Star Wars' reference, everybody's familiar with that. It's a common reference that most people can relate to - 'Bartleby, The Scrivener,' probably not so much.
As all curves have reference to their centres or foci, so all beauty of character has reference to the soul, and is a graceful gesture of recognition or waving of the body toward it.
The Web provided me with a much needed realization that information cannot be fully separated from its presentation, and showed me something I knew without verbalizing explicitly, that the presentation form we choose communicates real information.
I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects.
I realized that we're now at a point of self-reference with the Internet culture that there's almost no there left, you know? It's important to make new things. It's important to make culture, rather than simply reference it. I love a good cultural reference, and it's one of the great joys in my life, but it has to all be in balance with the core job, which is to make something new. And that sort of brings me around to why I started talking about my fondness for marijuana.
Exploit a subject or a theme to its greatest potential by bringing all possible reference to bear - then put aside the reference and create again using the potential of your unfettered imagination.
The presentation of mathematics in schools should be psychological and not systematic. The teacher, so to speak, should be a diplomat. He must take account of the psychic processes in the boy in order to grip his interest, and he will succeed only if he presents things in a form intuitively comprehensible. A more abstract presentation is only possible in the upper classes.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
There was reference made to a book written in Greek by a former Rabbi who had been converted to Christianity. There was reference to a publication of a high clergyman of Milan. Not even did Jews raise objections to that book.
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