A Quote by Ezra Taft Benson

I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon. — © Ezra Taft Benson
I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
The paintings are not just on flat walls - you have these enormous niches, bulges and protrusions, as well as stalactites and stalagmites. The effect of the three-dimensionality is phenomenal. It's a real drama which the artists of the time understood, and they used it for the drama of their paintings.
There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.
But Zarathustra made it clear in which direction the answer lay; it is towards the artist-psychologist, the intuitional thinker. There are very few such men in the world's literature; the great artists are not thinkers, the great thinkers are seldom artists.
I am against great themes and great subjects... You can't film an idea. The camera is an instrument for recording physical impact.
It's what's missing, I think, from most music - the rebellious part. That rebelliousness is part of great rock music or great literature or any great creative stuff.
Inequality may linger in the world of material things, but great music, great literature, great art and the wonders of science are, and should be, open to all.
How badly I wanted to belong as I had when I was a young Mormon girl, to be simply a working part in the great Mormon plan of salvation, a smiling exemplar of our sparkling difference. But instead I found myself a headstrong Mormon woman staking out her spiritual survival at a difficult point in Mormon history.
When I read great literature, great drama, speeches, or sermons, I feel that the human mind has not achieved anything greater than the ability to share feelings and thoughts through language.
One of the great themes in American literature is the individual's confrontation with the vast open spaces of the continent.
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
There are so many great artists out there; it's hard to choose one. But, I would love to work with Ledisi; she has a great voice. I also admire and respect John Legend. When he wrote "All of Me," I fell in love with the melody and music. He is an artist that really loves music and just has a great way with words.
Great music and great artists create their own music and look and are not manufactured.
Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that.
I challenge the homes of Israel to display on their walls great quotations and scenes from the Book of Mormon.
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