A Quote by F. Scott Fitzgerald
Suddenly she realized that what she was regretting was not the lost past but the lost future, not what had not been but what would never be.
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She had worried that she would break if her heart broke, but she wasn't broken. she had lost everything, but she was not lost. It seemed a worthwhile thing to know.
In the silence, she felt the past and the present shift and mix, but that was a mirage. There was no way to comfort the lost boy he'd been back then. But she had the grown male. She had him right in her arms, and for a brief moment of whimsy, she imagined that she was never, ever going to let him go.
Quite suddenly Meggie felt fear rise in her like black brackish water, she felt lost, terribly lost, she felt it in every part of her. She didn't belong here! What had she done?
If Hillary Clinton would have left Bill, that would have ended his presidency, not via impeachment but that would have elevated his total lack of character. It would have been the discussion. It would have been the topic point. She shielded all that. There would have been no vast right-wing conspiracy theme that the media did pick up to blame for all that. There wouldn't have been any Hillary and Bill foundation. There wouldn't have been all this fundraising. If she hadn't, she wouldn't have been picked for Obama's whatever if she had run and lost, if everything else had happened.
She would always be living her life backwards, she realized, trying to regain something perfect that she'd lost.
There was no pretention here, no hidden meanings in the phrases they spoke, no elaborate plans designed to impress the other. Though it had always been easy to spend time with Mike, she suddenly realized that in the whirlwind of the past couple of weeks, she'd almost forgot how much she enjoyed it.
I think that if a real princess was lost in this modern world and she could be whatever she wanted, she would be a musician,' Blanche said slowly. 'A violinist, or a harpist. That would be the only place where she could find solace for her lost kingdom.
She's been a smack addict, she's had big success in Europe in the '70s, and she's lost everything. She's been rediscovered in the '80s, and as we meet her she's just about to sign a new recording contract.
She seems sort of lost.' I thought, Lost how? How am I lost? Suddenly I felt lost.
Now she had a fumbling knowledge that, had she ever understood Ashley, she would never have loved him; had she ever understood Rhett, she would never have lost him.
But although she was with family and friends, she'd never felt more alone. She felt as if she'd lost a vital part of herself and she had - her heart.
Granny Weatherwax was not lost. She wasn't the kind of person who ever became lost. It was just that, at the moment, while she knew exactly where SHE was, she didn't know the position of anywhere else.
In this moment she felt that she had been robbed of an enormous number of valuable things, whether material or intangible: things lost or broken by her own fault, things she had forgotten and left in houses when she moved: books borrowed from her and not returned, journeys she had planned and had not made, words she had waited to hear spoken to her and had not heard, and the words she meant to answer with. . . .
Saint Teresa, as the Roman Rota attests, never fell into any mortal sin; but still Our Lord showed her the place prepared for her in Hell; not because she deserved Hell, but because, had she not risen from the state of lukewarmness in which she lived, she would in the end have lost the grace of God and been damned.
She had been ready to love this man from the moment she first saw him. In all these years, that had never changed. They'd hurt each other, let each other down, and yet, here they were after everything, together. She needed him now, needed him to remind her that she was live, that she wasn't alone, that she hadn't lost everything.
She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost, she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: a papier-mâché horse.
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