A Quote by F. Scott Fitzgerald
in crowded rooms they would form words with their lips for each other's eyes
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They wordlessly excused each other for not loving each other as much as they had planned to. There were empty rooms in the house where they had meant to put their love, and they worked together to fill these rooms with midcentury modern furniture. ("Birthmark").
Lips move; lips touch; lips signal. Lips are on the outside for show, and on the most secret inside of your mouth. Lips frame words that lie. Lips frame a hole that wants to be filled.
The elf’s eyes found him, and his lips trembled with the effort to form words. ‘Harry... Potter...’ And then with a little shudder the elf became quite still, and his eyes were nothing more than great, glassy orbs sprinkled with light from the stars they could not see.
We stare into each other's eyes and softly kiss speaking and saying more with the movement of our lips and the tips of our fingers than words will allow us to say. Words can't say this. The one word love means too little for what it is. It means everything and that is still not enough. It doesn't communicate even a fraction of the feelings involved. Love. The word is not enough for what it is. Love. Love.
Our eyes met across the crowded room, like in the movies, except we didn't share a knowing smile and race into each other's arms. Instead I fell into the trash can.
Things are going so well. We’re volleying words back and forth. Everything she says, I have something I can say back. We’re sparking, and part of me just wants to sit back and watch. We’re clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that’s as comfortable as it is unrehearsed.
The big question is always, 'Eyes or lips?' I tend to go with the eyes because I've got a lot more material to work with now - and it saves me from reapplying lipstick! I'm a pretty low-maintenance person and it's too excessive to exaggerate both the eyes and lips.
Have you ever considered, beloved other, how invisible we are to each other? We look at each other without seeing. We listen to each other and hear only a voice inside out self. The words of others are mistakes of our hearing, shipwrecks of our understanding. How confidently we believe OUR meanings of other people's words.
The parts of a machine work with a maximum of cooperativeness for a common result, but they do not form a community. If, however, they were all cognizant of the common end and all interested in it so that they regulated their specific activity in view of it, then they would form a community. But this would involve communication. Each would have to know what the other was about and would have to have some way of keeping the other informed as to his own purpose and progress.
She wore an ivory-white dress and held the world in her eyes. I barely remember the priest's words or the faces of the guests, full of hope, who filled the church on that March morning. All that remains in my memory is the touch of her lips and, when I half opened my eyes, the secret oath I carried with me and would remember all the days of my life.
To be beautiful lips - say kind words. To my eyes were beautiful - radiate good. A woman's beauty is not in the clothes, not in its shape or hairstyle. Beauty woman in her eyes, because the eyes - is the gateway to the heart, where love lives.
We fell silent and all joking ceased. We gazed mutely into each other's eyes and an intense longing for the fullest avowal of the truth forced us to a confession, requiring no words whatever, or the incommensurable misfortune that weighed upon us. With tears and sobs we sealed a vow to belong to each other alone.
I'd love to think that people in the future would gather in theatres, at conventions, and in darkened rooms, and read it out to each other.
Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard. Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes. She abandoned all pretense of decorum and ran at him.
It's unclear who moves first. We're in each other's arms, lips locked, melded, hotly fused. Our hands drag over each other, reacquainting, remembering, almost as if we're both verifying the other one is real flesh and blood.
Isolation offered its own form of companionship: the reliable silence of her rooms, the steadfast tranquility of the evenings. The promise that she would find things where she put them, that there would be no interruption, no surprise. It greeted her at the end of each day and lay still with her at night.
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