A Quote by F. Scott Fitzgerald
Poetry is either something that lives like fire inside you -- like music to the musician or Marxism to the Communist -- or else it is nothing, an empty, formalized bore around which pedants can endlessly drone their notes and explanations.
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Poetry is either something that lives like fire inside you
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
Then I felt something inside me break and music began to pour out into the quiet. My fingers danced; intricate and quick they spun something gossamer and tremulous into the circle of light our fire had made. The music moved like a spiderweb stirred by a gentle breath, it changed like a leaf twisting as it falls to the ground, and it felt like three years Waterside in Tarbean, with a hollowness inside you and hands that ached from the bitter cold.
Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
Poetry seems especially like nothing else so much as itself. Poetry is not like, it is the very lining of the inner life.
As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.
Something like this will test you like nothing else," Mac said. "You're going to find out who you are, Harry. You're going to find out which principles you'll stand by to your death--and which lines you'll cross." He took my empty glass away and said, "You're heading into the badlands. It'll be easy to get lost.
Poets, on the face of it, have either got to be easier or to write their own notes; readers have either got to take more trouble over reading or cease to regard notes as pretentious and a sign of bad poetry
I like poetry when I don't quite understand why I like it. Poetry isn't just a question of wrapping something up and giving it to someone else to unwrap. It just doesn't work like that.
I know I’m an African-American, and I know I play the saxophone, but I’m not a jazz musician. I’m not a classical musician, either. My music is like my life: It’s in between these areas.
Writing is the basis of all, because creating something that didn't even exist before is like taking an empty canvass. It is a wonderful thing to make something out of nothing. You've got an empty page, you've got an idea, and then you start typing and that is the most thrilling thing of all. And then if it becomes a movie or something else that's a plus, but the original writing of it is what's very exciting.
Set aside the many competing explanations of the big bang; something made an entire cosmos out of nothing. It is this realization - that something transcendent started it all - which has hard-science types... using terms like "miracle."
Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
I would say I was still a Marxist - which is not to be confused with being a Communist. Despite its flaws, Marxism still seems to explain the material world better than anything else.
I think we get on with living our lives like everybody else does. Where we're at in music is trying to explain what's going around us either directly or by analogy and trying to create a parallel, an analog, sometimes musical, sometimes dramatic, that might be truthful.
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