A Quote by F. Scott Fitzgerald
Amory wondered how people could fail to notice that he was a boy marked for glory, and when faces of the throng turned toward him and ambiguous eyes stared into his, he assumed the most romantic of expressions and walked on the air cushions that lie on the asphalts of fourteen.
Related Quotes
The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
You could slap his wrist for saying it, but then he said it with his face, and you could spank him for making faces, but then he said it with his eyes, and there were limits to correction-no way, in the end, to penetrate behind the blue irises and eradicate a boy's disgust.
She turned to face him. She reached over and touched his hand, hesitantly, gently, amazed that after all these years had somehow known exactly what she'd needed to hear. When their eyes locked, she once again realized how special he was. And just for a fleeting moment, a tiny wisp of time that hung in the air like fireflies in summer skies, she wondered if she was in love with him again.
...and gradually his face assumed the expressions which are so often found among rich people - the expressions of discontent, of sickliness, of displeasure, of idleness, of lovelessness. Slowly the soul sickness of the rich crept over him.
Did you ever notice how many survivors they have? Did you ever notice that? Everybody - every time you turn around, 15,000 survivors meet here, 400 survivors convention there. I mean, did you ever notice? Nazis sure were inefficient, weren't they? Boy, boy, boy! ...You almost have no survivors that ever say they saw a gas chamber or saw the workings of a gas chamber...they'll say these preposterous stories that anybody can check out to be a lie, an absolute lie.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice there is little we can do to change until we notice how failing to notice shapes our thoughts and deeds.
I did work more realistically: I used real anatomy, faces with expressions - not Dick Tracy with his one slip of the mouth and that's it, but actual expressions on the faces that made the characters look like they were saying what was in the balloons.
But now mine own eyes have beheld God; but not my natural, but my spiritual eyes, for my natural eyes could not have beheld; for I should have withered and died in his presence; but his glory was upon me; and I beheld his face, for I was transfigured before him.
Through all this horror my cat stalked unperturbed. Once I saw him monstrously perched atop a mountain of bones, and wondered at the secrets that might lie behind his yellow eyes.
Weeks passed, and the little Rabbit grew very old and shabby, but the Boy loved him just as much. He loved him so hard that he loved all his whiskers off, and the pink lining to his ears turned grey, and his brown spots faded. He even began to lose his shape, and he scarcely looked like a rabbit any more, except to the Boy. To him he was always beautiful, and that was all that the little Rabbit cared about. He didn't mind how he looked to other people, because the nursery magic had made him Real, and when you are Real shabbiness doesn't matter.
How long?" His smile was amazingly sweet. "The longest." For ever?" Sam's lips smiled, but above his grin, his yellow eyes turned sad, as if he knew it was a lie. "Longer.
Henry closed his eyes and imagined the sweet petulant woundedness with which she had stared at him on the beach. He felt a little proud that she could love him.
I thought of Chatterton, the marvellous boy, The sleepless soul that perished in his pride; Of him who walked in glory and in joy, Following his plough, along the mountain-side. By our own spirits we are deified; We Poets in our youth begin in gladness, But thereof come in the end despondency and madness.
Put you hand before your eyes and remember, you that have walked, the places from which you have walked away, and the wilderness into which you manfully turned the steps of your abandonment ... It is your business to leave all that you have know altogether behind you, and no man has eyes at the back of his head - go forward.
I wish, peevishly, that he didn't know anything about how soldiers sleep, how they protect their fellow soldiers. It would be nicer if I could share the cloaks warmth with him, if we could lie with our faces together, whispering into the night.
I have found when I look at an audience that the expressions on the peoples' faces aren't always up to par with the sounds that they're making. A crowd can sound like they're having a good time when your eyes are closed but if you open your eyes, the looks on some of those faces don't equal the sound.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist