A Quote by F. Scott Fitzgerald

She’s got an indiscreet voice,” I remarked. “It’s full of-“ I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money-that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it.
Her voice is full of money.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
Hermione drew herself to her full height; her eyes were narrowed and her hair seemed to crackle with electricity. "No," she said, her voice quivering with anger, "but I will write to your mother.
No its you," she said. How far away her voice sounded, as though it had traveled to London already, ahead of her. "Your ducal self assurance. Everything will give way to you. Even Satan's own storm." "You are definitely improving," he said. "Full mocking sentences.
The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine.
And now everything has changed once again. The air of the Close each evening is full of bird song - I've never really noticed it before. Full of birdsong and summer perfumes, full of strange glimpses and intimations just out of the corner of my eye, of longings and sadness and undefined hopes.It has a name, this sweet disturbance. Its name is Lamorna.
All human beings are very creative - full of potential, full of energy... So, money kind of allows them to express it... And if you're successful, you can take more money. You can expand your capacity, reach next level of capacity, and so on.
I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.
English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.
Do I feel ancient to you now?" he murmered. "Too different from the person you loved before you knew this?" Her eyes were already glowing green, and her full lips parted. "No, you don't feel too ancient." Her voice was husky. "Or too different. You feel like mine. Whoever you were, whoever you are...you're mine." Mencheres smiled, his fangs stretching to their full length. "So you have spoken, so it shall be decreed. For all eternity.
You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
How could you not know?" His voice was full of wonderment. "You changed me utterly. You were like a...like a bright, wonderful bloom in a garden full of weeds. Like a graceful capital on a page of plain script, a letter decorated with the deepest, finest colors in all Erin. Like a flame, Caitrin. Like a song.
When "Here Comes the Sun" started, what happened? No, the sun didn't come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there's something about George's guitar that's just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused. "Oh Bee," she said. "This song reminds me of you." She had tears in her eyes.
I bring you this stately matron named Christendom, returning bedraggled, besmirched, and dishonored from pirate raids in Kiao-Chow, Manchuria, South Africa, and the Phillipines, with her soul full of meanness, her pocket full of boodle, and her mouth full of pious hypocrisies. Give her soap and a towel, but hide the looking-glass.
American actors who voice animated movies are so brilliant at it, because by the nature of American speak, it's full of energy and full of commitment. And as a British actor, we have to kind of learn that.
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