A Quote by F. Scott Fitzgerald

Human sympathy has its limits, and we were contented to let all their tragic arguments fade with the city lights behind. — © F. Scott Fitzgerald
Human sympathy has its limits, and we were contented to let all their tragic arguments fade with the city lights behind.
Human sympathy has its limits.
And when they went away, leaving comfort behind, I think there were not in all the city four merrier people than the hungry little girls who gave away their breakfasts and contented themselves with bread and milk on Christmas morning.
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
As there is no worse lie than a truth misunderstood by those who hear it, so reasonable arguments, challenges to magnanimity, and appeals to sympathy or justice, are folly when we are dealing with human crocodiles and boa-constrictors.
What is it that distinguishes you and me from the lower animals - from the beasts? More, I say, than anything else, human sympathy - human sympathy.
There is a saying in Tibetan that "at the door of the miserable rich man sleeps the contented beggar". The point of this saying is not that poverty is a virtue, but that happiness does not come with wealth, but from setting limits to one's desires, and living within those limits with satisfaction.
Justice must be done in investigating the tragic death of Mr. Freddie Gray. His family deserves our deepest sympathy and respect for their loss, and our admiration for their courage in calling us, as a city, to act as our better selves.
God is an oppressor, He is incapable of human sympathy; behind a smiling face He hides an evil heart.
I came from the country, and when I came to the city, I was ridin' high, you know. I was seeing more lights than I ever dreamed to shine in the world. 'Cos where I came from, there wasn't too many lights. Bugs made a lot of light, but after that there wasn't no lights.
It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again.
Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We'll wander back and home to bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade!
Sympathy wanting, all is wanting; its personal magnetism is the conductor of the sacred spark that lights our atoms, puts us m human communion, and gives us to company, conversation, and ourselves.
All human behavior, all human motivations, all man’s hopes and fears, were heavily colored and largely controlled by mankind’s tragic and oddly beautiful pattern of reproduction.
Spangling the wave with lights as vain As pleasures in the vale of pain, That dazzle as they fade.
When something tragic has happened, you can try to move on and put something tragic behind you, but it rarely works. It's in you when something like that happens. It's physically a part of your life.
At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?
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