A Quote by F. Scott Fitzgerald

He was going to live in New York, and be known at every restaurant and café, wearing a dress suit from early evening to early morning, sleeping away the dull hours of the forenoon.
I used to smoke marijuana. But I'll tell you something: I would only smoke it in the late evening. Oh, occasionally the early evening, but usually the late evening - or the mid-evening. Just the early evening, midevening and late evening. Occasionally, early afternoon, early mid-afternoon, or perhaps the late-midafternoon. Oh, sometimes the early-mid-late-early morning. . . But never at dusk!
It's superb to be out in the early, early morning before the sun comes up. There's this sense of being super-alive. You're in on a secret that all the dull, sleeping people don't know about. Unlike them, you're alert and aware of existing right here in this precise moment between what happened and what's going to happen.
I counsel our children to do their critical studying in the early hours of the morning when they're fresh and alert, rather than to fight physical weariness and mental exhaustion at night. I've learned the power of the dictum, "Early to bed, early to rise." When I'm under pressure, you won't find me burning the midnight oil. I'd much rather be in bed early and getting up in the wee hours of the morning.
The most dangerous part of the race is early evening and especially early morning. It's the twilight zone. Either you're going into darkness and the sun is dropping down, or you're coming out of the darkness and the sun is coming up. At the same time, you've got new drivers coming in and feeling their way around the circuit.
One of the things that I love about being a writer is this. I wake up every day and I write for three hours. I wake up early. So like 6:00, 7:00 in the morning, I write till 9:00 or 10:00. I live in New York, nobody even is breathing until 9:00 or 10:00 in the morning. So, it's like my writing life is completely removed from the rest of my life.
The conscious decision, early on, was that I was going to live in New York. That was it.
I used to start at about 10 at night and work until early morning. My preferred way to work is to start in the early afternoon and work until about 3, go do errands, have dinner, and then write for a few more hours in the evening.
Go to bed early and wake up early. The morning hours are good.
I like to get everything done during the early morning hours and the early part of the day.
Without the sleeping bag I'm just somebody up early in the morning, sitting under a tree. With the sleeping bag I'm nobody up early, sitting under a tree: a slight, but important difference in how I’ll be perceived.
Artists have been used over and over again since the early 1980s as the legitimizers of a neighborhood in New York. And entrepreneurial artists, meaning people who themselves start out as painters, musicians, dancers, and who open a café, a bar, a restaurant, or even a co-op art gallery - they unintentionally develop the kinds of attractions that bring the middle class with some kind of cultural ambition.
Working was a new thing; waking up early in the morning and going to bed late at night... But I’ve met a lot of nice people, I've been to New York, London, Paris. I like traveling. Now I cannot imagine my life without modeling.
I'm just a bit frustrated that in London we make such an effort to ape the New York restaurant scene. I have good friends who ape the New York restaurant scene and do it brilliantly. None of them would claim that the primary reason for going to their restaurant was the food.
When I opened the world's largest Internet cafe, certified by the 'Guinness Book of Records,' in Times Square in New York, I was live on 'Good Morning America,' and for me, that was an achievement.
I get up every morning early, when the sky is red, and write for 10 hours.
My style really comes down to me trying to be efficient by wearing what's going to get me the most out of the world. Whether that means wearing an Armani suit or an H&M dress, that's what I'm going to wear.
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