A Quote by F. Scott Fitzgerald

Lie to me by the moonlight. Do a fabulous story. — © F. Scott Fitzgerald
Lie to me by the moonlight. Do a fabulous story.
Each night I lie down in a graveyard of memories. Moonlight spins a shroud about me.
All these years I've had a story in my mind, the story about us that never really existed. And because of that story, I've kept you framed up on the wall in a little box of nostalgic moonlight.
In that moonlit hour, I acquired a sense of the otherness of things. I liked the feeling the moonlight gave me, as if it wasn't the opposite of day, but its underside, its private side, when the fabulous purred on my snow-white sheet like some dark cat come in from the desert.
'Moonlight' is a project that resonated with me more than anything else. I wouldn't have done 'Luke Cage' if they hadn't made time for 'Moonlight.'
I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.
The New York Times, they lie. They lie like I've never seen anything. They know they're lying. One of these guys wrote a story - Rutenberg, Jim Rutenberg, a story. Literally they'll do whatever they have to do. He practically they insinuated... they'll lie and tell whatever they have to say. These are vicious people. These are lying people, and fortunately I can defend myself.
I plead with my Moonlight fans to give this show a chance if they let me give it a chance. I can’t do Moonlight again — it’s finished. The bottom line is that my true fans will follow me where I go.
Don't tell me of deception; a lie is a lie, whether it be a lie to the eye or a lie to the ear.
There's an indie movie I did called 'Fat Kid Rules the World,' which was based on a teen book, and it's a fabulous story, and hopefully it'll go to theaters because it is an amazing story.
Glorify a lie, legalize a lie, arm and equip a lie, consecrate a lie with solemn forms and awful penalties, and after all it is nothing but a lie. It rots a land and corrupts a people like any other lie, and by and by the white light of God's truth shines clear through it, and shows it to be a lie.
I walked to the lake and sat on the shore for a few minutes, just staring at the moonlight on the water. Moonlight never gets old.
Let me get this stright, Aya-Chan. You want me, a person who can't lie, to lie about the fact that I can't lie?" -Frizz mizuno
You'll be offered the 'lead' in this new hot film with such-and-such A-list director, 'a fabulous part' - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.
There are many young and new directors, who have fabulous concepts and story ideas, and this is why I do their films. And the bottom line is, when I was a newcomer, someone gave me a chance too.
I remember I was walking through a store, and I saw clothes a 25-year-old would wear. And the conversation in my head was, 'I'm not young and fabulous anymore.' But, immediately, there was a voice that said, 'No, you can be older and fabulous.' In other words, still just as fabulous, but in a different way.
I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it.
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