A Quote by F. Scott Fitzgerald
And after reading Thoreau I felt how much I have lost by leaving nature out of my life.
Related Quotes
For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by.
The success of the poem is determined not by how much the poet felt in writing it, but by how much the reader feels in reading it.
I was reading some Raymond Carver. I really liked how he did that 'slice of life' thing. Because I'm not much of a reader I end up finding out about these things a long time after other people.
She seems sort of lost.' I thought, Lost how? How am I lost? Suddenly I felt lost.
After I left the convent, for 15 years I was worn out with religion, I wanted nothing whatever to do with it. I felt disgusted with it. If I saw someone reading a religious book on a train, I'd think, how awful.
I'd lost the joy of coaching. There were times after a win when I was shouting at my assistants leaving the field because I wasn't happy with the way we'd played. I had lost what I started out to be in coaching: Someone who had a positive effect on the lives of my players.
When [Ralph Waldo] Emerson visited Thoreau in jail and asked, 'What are you doing in there?' it was reported that Thoreau replied, 'What are you doing out there?'
At this point in our global ecological crisis, the survival of humanity will require a fundamental shift in our attitude toward nature: from finding out how we can dominate and manipulate nature to how we can learn from her. In this brilliant and hopeful book, Jay Harman shows us how far the new field of Biomimicry has already progressed toward this goal. The Shark's Paintbrush makes for fascinating and joyful reading - much needed in these dark times.
I always felt strongly connected to the region where I was born. But after leaving school, the only clear thought I had about my life was to leave this provincial area and go to places where real life was happening.
In 1848, Thoreau went to jail for refusing, as a protest against the Mexican war, to pay his poll tax. When RW Emerson came to bail him out, Emerson said, 'Henry, what are you doing in there?' Thoreau quietly replied, 'Ralph, what are you doing out there?'
If a person lost would conclude that after all he is not lost, he is not beside himself, but standing in his own old shoes on thevery spot where he is, and that for the time being he will live there; but the places that have known him, they are lost,--how much anxiety and danger would vanish.
I'd got a part in the original cast of 'Cats' when I was 16, and that kept me going for a while. After that, I felt lost, both personally and professionally - I was trying to find a way not to be seen only as this bubbly, bright, vivacious person. It felt like I'd lost the freedom to make mistakes.
Reading is sometimes thought of as a form of escapism, and it’s a common turn of phrase to speak of getting lost in a book. But a book can also be where one finds oneself; and when a reader is grasped and held by a book, reading does not feel like an escape from life so much as it feels like an urgent, crucial dimension of life itself.
The power of reading a great book is that you start thinking like the author. For those magical moments while you are immersed in the forests of Arden, you are William Shakespeare; while you are shipwrecked on Treasure Island, you are Robert Louis Stevenson; while you are communing with nature at Walden, you are Henry David Thoreau. You start to think like they think, feel like they feel, and use imagination as they would. Their references become your own, and you carry these with you long after you've turned the last page.
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.
I've spent too much of my life being made to feel like there's something wrong with me. And no matter how much support I felt as a basketball player at Baylor, it still doesn't erase all the pain I felt there.
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