A Quote by F. Scott Fitzgerald

The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the unclear voices of children, already gathered like crikets on the grass, rose through the hot twilight.
The light was leaving in the west it was blue The children's laughter sang and skipping just like the stones they threw the voices echoed across the way its getting late It was just another night with the sun set and the moon rise not so far behind to give us just enough light to lay down underneath the stars listen to papas translations of the stories across the sky we drew our own constellations
What happens when all the parts of childhood are soldered down, when the young no longer have the time or space to play in their family's garden, cycle home in the dark with the stars and moon illuminating their route, walk down through the woods to the river, lie on their backs on hot July days in the long grass, or watch cockleburs, lit by morning sun, like bumblees quivering on harp wires? What then?
Where now are the horse and the rider? Where is the horn that was blowing? Where is the helm and the hauberk, and the bright hair flowing? Where is the harp on the harpstring, and the red fire glowing? Where is the spring and the harvest and the tall corn growing? They have passed like rain on the mountain, like a wind in the meadow; The days have gone down in the West behind the hills into shadow. Who shall gather the smoke of the deadwood burning, Or behold the flowing years from the Sea returning?
He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.
The sun is a huntress young, The sun is a red, red joy, The sun is an Indian girl, Of the tribe of the Illinois. The sun is a smouldering fire, That creeps through the high gray plain, And leaves not a bush of cloud To blossom with flowers of rain. The sun is a wounded deer, That treads pale grass in the skies, Shaking his golden horns, Flashing his baleful eyes. The sun is an eagle old, There in the windless west. Atop of the spirit-cliffs He builds him a crimson nest.
The night crept on apace, the moon went down, the stars grew pale and dim, and morning, cold as they, slowly approached. Then, from behind a distant hill, the noble sun rose up, driving the mists in phantom shapes before it, and clearing the earth of their ghostly forms till darkness came again.
Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he'd never have written a word.
Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
A movie like 'Sugar' you couldn't make today. The climate for making movies with no movie stars, half of it in Spanish, at the budget level that we had is gone. These are high-risk elements.
In life, I'm like Molly Brown. I've had tough times along the way and gone through experiences that many women have gone through. But I ain't down yet.
To whatever end. Where is the horse and the rider? Where is the horn that was blowing? They have passed like rain on the mountains. Like wind in the meadow. The days have gone down in the west. Behind the hills, into shadow. How did it come to this?
Three fishers went sailing away to the west, Away to the west as the sun went down; Each thought on the woman who loved him the best, And the children stood watching them out of the town.
The aged are terrible - mere heaps of cinders on the grass from which none can tell how tall the flames once were or what company gathered round them.
Some people like to keep their grass cut really short, so they can see the intruders coming. Keep those kill zones open. I say let the grass grow tall so they don't know there's a house behind it. Some call it lazy, I say it's thinking.
It gives one a sudden start in going down a barren, stoney street, to see upon a narrow strip of grass, just within the iron fence, the radiant dandelion, shining in the grass, like a spark dropped from the sun.
Rose had the sort of eyes that manage perfectly well with things close by, but entirely blur out things far away. Because of this even the brightest stars had only appeared as silvery smudges in the darkness. In all her life, Rose had never properly seen a star. Tonight there was a sky full. Rose looked up, and it was like walking into a dark room and someone switching on the universe.
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