A Quote by F. Sionil Jose
Writing is a solitary profession; you are really alone when you write. Then the emotions become well shaped and distinct. But their transition into words must be done deliberately and with rigid artistry.
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Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.
In my mind, only one inviolable precept exists in terms of being a successful writer: you have to write. The unspoken sub-laws of that one precept are: to write, you must start writing and then finish writing. And then, most likely, start writing all over again because this writing "thing" is one long and endless ride on a really weird (but pretty awesome) carousel. Cue the calliope music.
Then he read the words of the scroll slowly, first in Japanese and then carefully translated into English: 'There is really nothing you must be. And there is nothing you must do. There is really nothing you must have. And there is nothing you must know. There is really nothing you must become. However. It helps to understand that fire burns, and when it rains, the earth gets wet. . . .' 'Whatever, there are consequences. Nobody is exempt,' said the master.
You don't write a book. You write a sentence and then a paragraph and then a page and then a chapter. Looking at writing 400 plus pages or seventy thousand odd words is incredibly daunting, but if you just focus on the immediate picture - say, 500 words - it's not so overwhelming.
The writing is done on the computer, and the drawing is done by hand. I write, write, write, then I hit the illustration.
There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well
If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate.
When I'm writing a book, I don't have any responsibility to anyone. I'm solitary. I'm writing on my own. I write by hand. And I write every day. I mean, it's part of my daily discipline.
Writing is a solitary occupation. Family, friends, and society are the natural enemies of the writer. He must be alone, uninterrupted, and slightly savage if he is to sustain and complete an undertaking.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.
What a damnably lonely profession writing is! In order to do it, one must banish the world, and having banished it, one feels cosmically alone.
If you write, and you are really alone (writing is a lonely thing), you learn to be alone without suffering. When you read, you also learn to do this. When you write, you deal with things.
I really do enjoy getting out to meet my readers. Writing is such a solitary business, it's gratifying to thank folks in person and really connect as human beings and not just words on a screen.
When I was a little kid back in Moscow, Russia, I've always thought I would become an artist or a folk dancer or an astronomer. In fact, if you'd asked me then about a life of solitary writing I would have said, "Oh how boring! Imagine, to sit at a desk all day and just write."
Gather knowledge about the craft of writing. Immerse yourself in the art of it. Then write. Write yourself silly. Write yourself mad. Write yourself blind. Trust the excitement that builds within you when the idea is good and the writing is superb. You can do it, but that's the hell of it as well as the exultation of it. You have to do it.
When I got to write for the 'Battlefield' record, it was almost therapeutic. I had gone through a few things in the two years prior and it was really nice to take those thoughts and emotions and get them out. I definitely want to hone that side of my artistry.
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