A Quote by F. Sionil Jose

Tourists as well as natives want to see cultural achievements - whether it's the Banaue Terraces, the old churches or museums. — © F. Sionil Jose
Tourists as well as natives want to see cultural achievements - whether it's the Banaue Terraces, the old churches or museums.
Whether something is old-fashioned or not doesn't resolve the question of whether it's true or not. I can see the temptation of simply thinking, 'Well, there's a cultural mainstream which flows neatly in one direction. You just align with it'. And that really won't do.
Los Angeles is one of the four cultural capitals of the world, but we don't attract as many cultural tourists as New York, London or Paris. I want to change that.
I'm more inclined towards old churches and dusty museums.
Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
A landscape, torn by mists and clouds, in which I can see ruins of old churches, as well as of Greek temples - that is Brahms.
I think about museums often. There are things that I want museums to do that they often don't. For me, I like it when there's a system within the museum that can continuously change - whether it's a museum that is nomadic or one that's designed so the building can shape-shift. I like restless spaces, and I want to be engaged.
It was during my first trip to America in 1953 - thats when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
It was during my first trip to America in 1953 - that's when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
The people on the streets just say 'hi' and let me walk on. They take relatively few photos, and those that do are tourists. Munich natives are relatively relaxed. They pretty much leave me in peace and I think that's very good. The Bavarian mentality fits very well to me.
In every age immorality has found no less support in religion than morality has. If the achievements of religion in respect to man's happiness, susceptibility to culture and moral control are no better than this, the question cannot but arise whether we are not overrating its necessity for mankind, and whether we do wisely in basing our cultural demands upon it.
It's usually a jolly good trick to pick up a local tour guide. They can tell you all the anecdotes that make a place interesting. I'm one for rushing off to museums at the crack of dawn, eating fabulous things on terraces for lunch, and enjoying long dinners on balmy evenings.
Prices in Italy are only slightly lower than in France, which means that Italy is a very expensive country for everyone, natives, visitors and tourists.
[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
I do quite like sightseeing. I like churches, museums, galleries and all that stuff. I love the smell of a church in Italy or the smell of an old greasy spoon somewhere. I like markets and little funny shops in the backstreets of Florence.
The U.S., like any other country, allows tourists into its borders in order to make money off them, and there's nothing wrong with that. Why give out tourist visas if you're not going to let tourists be tourists?
Why do we people in churches seem like cheerful, brainless tourists on a packaged tour of the Absolute?
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