A Quote by F. Sionil Jose

I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders.
Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more - absolutely not. France used to, at least, have writers as diplomats, but not any more.
Victor Hugo was a madman who thought he was Victor Hugo
Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.
Favorite books and authors while growing up - I'd need a book to list them all. For the sake of brevity: Shakespeare, Dickens, Mark Twain, Victor Hugo, world's mythology, the Arthurian legends. And the unabridged dictionary. And they're still my favorites. They get better each time I read them.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
Here Greek and Roman find themselves alive along these crowded shelves; and Shakespeare treads again his stage, and Chaucer paints anew his age.
I feel that Italy's a country that's constantly looking out and constantly following what's happening in other cultural centers. What is being written in America, what is being published in England, what is being published in France. It's a culture that's always wanting to absorb and inform itself of other works, other writers, etc., etc.
My fame will outshine that of Victor Hugo or Napoleon
I do believe in ghosts, but I haven't seen one. I can imagine that you cross over to the other side, some different dimension or whatever, but how do your clothes get there? Ghosts are always wearing clothes.
Tom Hooper did an amazing job in capturing the feel of Victor Hugo's book. I thought some of the performances were incredible. I thought the Bishop would be a nice part to play, and they all made such a fuss of me being there.
In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.
The people in 'July, July' do find themselves looking backward, talking to others and to themselves about those over-the-cliff, fork-in-the-road moments in their lives. I imagine this is what must happen at a 30th college reunion.
A village in a country which is taking pains to become altogether standardized and pure, which aspires to succeed Victorian England as the chief mediocrity of the world, is no longer merely provincial, no longer downy and restful in its leaf-shadowed ignorance. It is a force seeking to conquer the earth. Sure of itself, it bullies other civilizations, as a traveling salesman in a brown derby conquers the wisdom of China and tacks advertisements of cigarettes over arches for centuries dedicated to the sayings of Confucius.
If you want to make your mark as a footballer, you think England, Germany, Italy, Spain. Maybe France or Holland. But not China, not the Middle East.
Rock and roll is catching on all over . . . France . . . England . . . They even have it in Japan, only over there they call it judo.
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