A Quote by F. Sionil Jose
I find it always pleasurable talking with young people, particularly those aspiring to be writers, out of nostalgia, and because I've always felt that we oldies can learn so much from them and draw from them inspiration in our flagging and rickety years.
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I've grown up on a diet of metaphors. If young writers would find those writers who can give them metaphors by the bushel and the peck, then they'll become better writers - to learn how to capsualize things and present them in metaphorical form.
I have strong feelings about cookbooks because I am a lover of them and student of them and devourer of them and collect them. I find them to be a great source of inspiration. When I was a cook and not making much money, I always used to spend most of what I had on cookbooks.
Naturally, I've always felt more like a writer myself, and I've always written. I have people who are writers who've been promoting that side of me. I also draw, too. Those things I feel most comfortable in.
You learn the most by listening and so, to me, always just listening, always just paying attention and finding out what it is that people see in somebody like them. You find those things, and you try to figure out how to fit them into who you are, who you want to be, and how you want to lead.
I'm always interested in getting to know people, and that means vilified people as much as those celebrated. You find out that heroes aren't always so heroic, and villains have some bit of humanity in them.
We should pay as much reverence to youth as we should to age; there are points in which you young folks are altogether our superiors: and I can't help constantly crying out to persons of my own years, when busied about their young people--leave them alone; don't be always meddling with their affairs, which they can manage for themselves; don't be always insisting upon managing their boats, and putting your oars in the water with theirs.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
I always loved that tragic look, the bigger-than-life women. They always have those big glasses and scarfs on, and doctors and nurses always around them. You felt sorry for them, but they had their lips together, no matter what was happening to them. They always looked like movie stars.
Have you ever studied Jesus's approach to talking with people? He didn't always fill the space with answers for them. Let's learn to do that with our fellow learners. Let's give them room to think and answer for themselves.
I always love working with young actors, because there's always something to learn. It's always exciting to see the next generation and how they approach things and what's great about them and what's not so great about them.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it.
Young children especially are receiving so much of the world through their ears and their eyes, particularly if they're pre-literate. So engaging them with sound, particularly sound that stirs them emotionally because of the sequence of notes, will make them pay attention.
Inspiration is everywhere so don't get trapped in reading and watching too much. Get out. Talk to people, friends, family, loved ones. Draw inspiration from everyday life. It has inexhaustible references and is always original.
When I was younger I would always listen to female artists that are my age now and I felt like I couldn't always connect with them because all these people would constantly sing these party songs and I couldn't always relate to them. When I was younger it felt very alienating and I try my best to be the person that I would've needed, for other people.
The music business has changed so much. Collaborations are all over the Internet. The young people are keeping the old school alive. A lot of them run out of ideas so they grab these songs that we've had out for 50 years and bringing them back and making people rich again. That's a nice thing. A lot of artists don't have incomes after a certain time in their life because nobody's is buying the songs. This revival of their music has taken a lot of writers out of the poor house.
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