A Quote by F. Sionil Jose
In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
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I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.
Traveling all over the country and all over the world, I think you've got a lot of pop acts and a lot of rock acts that are making a point of traveling to different places and making people aware of their music and their shows and the whole deal and I think country music has always sort of stayed, for the most part, in the states.
My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance.
I've always loved journaling as a way to clear my mind. Whether I'm traveling or at home, the first thing I do when I wake up is pull out my notebook and record positive things that have happened to me as well as uplifting thoughts.
I never think anyone will like what I do. I'm always terrified the critics won't like my film and of course you always count the people who leave at the screening. They are on your death list. The people who stayed, stayed because they wanted to. You see it in a different way with an audience. And when the screening Is over it's such a relief. It's such a struggle.
For better or worse, we have evolved for sure, but we've also maintained a certain core about who we are, which is we were raised on late '50s and early '60s rock n' roll and R&B, and you can always hear that throughout. And that's just always been who we were. As much as we've evolved, that's stayed the same.
Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
I'm always in front of the camera, always traveling and getting out of airports and skincare is very important to me.
I do spend money. I like to spend money, on houses - on furnishing houses. And I love to give presents to people. It's just in my nature to be that way. I always spent money I had. And I always spent what I made. I'm not stingy.
I've stayed in houses that were in the country, and in England, but I'm still not sure that I've stayed in an English country house.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
When I was younger, I was mousey brown and started putting in highlights with each child. By the time I had my third baby, I was pretty much a blonde, and I stayed that way until I was in my late 50s.
When traveling, I usually keep a notebook: when home at my desk, the notebook serves mainly to remind me how little I saw at the time, or rather how I was noticing the wrong things. But the notes do spur memories, and it's the memories I trust. The wine stain on the page may tell me more than the words there, which usually strike me as hopelessly inadequate.
I always have Aquaphor which is just for like chapped lips, especially in the wintertime when you're traveling a lot. That's just the worst combination of things. And always a really good pair of jeans. Something vintage-y, a little loose and boyfriend-y, but not over the top. They're just comfortable but could still be dressed up or down.
I remember the horror story that I told myself over and over again. I'm totally alone in my body. I'm totally alone in my head and nobody will ever see through my eyes. I'm just completely alone.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
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