A Quote by F. Sionil Jose

I regret that I have not written more, shouted louder, and acted out my beliefs. — © F. Sionil Jose
I regret that I have not written more, shouted louder, and acted out my beliefs.
With the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
When you do improv, you're everything. You're a performer, writer, and director, because you're moving the scene in the direction you want it to go, you're making it up as you go, and you're acting it. You're all of those things, so I always viewed myself that way. And with the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
Not that I regret saying what I believed to be the truth, but I regret anything that I might have written or spoken that could have been used in a way to help to foster that atmosphere out of which came the loss of life of Brother Malcolm.
I got on my knees and sort of communicated with the spirits. When I came out, I was in charge. I couldn't have acted that, I couldn't have written that.
Usually when the opposing team does well, the crowd quiets down. All I began to hear was a chant 'L-S-U, L-S-U.' It got louder and louder and louder. It was the loudest I've ever heard a stadium.
Rather than regret for what I have written, I feel regret for what I shall never be able to read.
I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
Beliefs are the foundation of actions. Those who believed without doubting, he would say, acted without thinking. And those who acted without thinking were enslaved.
We took a right at the fork, heading farther north. The charred houses continued. To the right, a large sign nailed to an old telephone post shouted DANGER in huge red letters. Underneath in crisp black letters was written: IM-1: Infectious Magic Area Do Not Enter Authorized Personnel Only A second smaller sign under the first one, written on a piece of plastic with permanent marker, read: Keep out, stupid. “We aren’t going to keep out, are we?” Ascanio asked. “No.” “Awesome.
Sometimes when a scene is written or directed to be shouted or played incredibly angrily, I always think it's way more terrifying when someone is fuming and talks in a very calm way. I always want people to shout at me if they're angry - it freaks me out that whole thing of, 'I'm not angry I'm just disappointed.'
I acted on my core beliefs on social issues as governor.
I regret that I was never an athlete. I regret there isn't time in life. I regret that so many of my friends have died. I regret that I was not brave at certain times in my life. I regret that I'm not beautiful. I regret that my conversation is largely with myself. I'm not part of the conversation of the world.
In this world laws are written for the lofty aim of "the common good" and then acted out in life on the basis of the common greed.
I tour a lot and interview a lot. I'm on the Internet and doing stuff. I go out and promote. I've got a bass drum and a sandwich sign and a washboard. You just have to shout louder and louder that you're still alive.
Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.
I took pleasure when I could. I acted clearly and morally and without regret. I'm very lucky.
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