A Quote by Fabinho

I'm on the right track to completely adapting to England. — © Fabinho
I'm on the right track to completely adapting to England.
I think acting is really fully adapting - to your surroundings, to your emotions, to the people that you're working with, to being tired, to want to go home, to being lonely, to being happy. It's adapting for me, and trusting. Adapting and trusting, that's my format right there.
The key thing is knowing how to adapt. Adapting to the group that you have at your disposal; adapting to the place where you're working; adapting to the local environment. This is crucial: adaptability.
Of course, in our train of thought, we would all like to think we're on the right track, or at least the same railroad company as the right track.
I am still adapting to London life, but England was always a country that 'interested me.
We are on the right track to the 21st century. We are on the right track, but our work is not finished. What should we do? First, let us consider how to proceed. I say the question is no longer, "Who's to blame?" but "What to do?"
I am a player who finds it easy to adapt to the circumstances, and I don't think I would have had a problem adapting to England.
Dave Sim said in his latest thing of his, 'when you're on the right track, you'll know it, but until you get there, you have to believe you're on the right track'. Interesting little conundrum. It's not easy.
We can pretend that China is not there. But China is there, and unless we put our economy on the right track, it is going to overwhelm us completely.
The point of human evolution is adapting to circumstance. Not letting go of the old, but adapting it, is necessary.
I think it just boils down to right place, right time, and just being able to break them big fights. Maybe it wasn't England's time, and right now, I feel like it's England's time.
I had been using a 4-track and a digital 8-track in the '90s, and it was this huge complicated thing. But GarageBand is right there.
Treat each guitar track-and each song-completely different. For example, if I'm using a certain amp and guitar on one track, I'll deliberately use something else for the next tune or overdub.
Being attacked by the press is not something I see as a problem, but rather a confirmation that I am on the right track. It is even better when they ignore me completely, like the Norwegian press does; that means they are really afraid.
When you're editing the film, you use a temp track. So you're putting music in there for a rough cut to keep track of what's going on. It can be a hindrance if wrong, it can be an enormous asset if you get it right.
When the Black Lips sent a track over to me, I thought it sounded like a Beastie Boys track, the way the singer was singing and flowing on it. He was right in the pocket.
Completely committed to adapting 'Fifty Shades of Grey'. This is not a joke. Christian Grey and Ana: potentially great cinematic characters.
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