With a movie, the die is cast. It is what it is. With TV, it's a living organism in a way. Fans can have input, with the whole social media thing, and they can track what fans are liking and not liking.
I get total creative control when I'm in the studio now to do what I want to do. If I feel like doing a song I'll do a song. The buzz has been great, in fact a lot of people hit me up now, they're seein me on hiphopgame.com with the journal and I'm just telling people my ideas. All I want to do is make good music at the end of the day.
I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.
My fans have been very loyal to me, so I want 'em into the mix every song. I don't want 'em having breaks on stuff I'm trying to push on them.
I put a lot of work into my mixtapes, and I want everybody to understand I am doing this genuinely. I don't even want to be paid for this; I just want you all to hear my music and appreciate it. I think it brings me closer to my fans because they know I'm doing this for them and not just to get the bucks.
I know all my different formulas to get certain sounds. I've been doing this so long that I don't experiment anymore. Or let me rephrase: I've been doing this so long that I don't have to experiment as much. You always want to evolve and change, but if I go in and I know it's a certain type of song, I know exactly where I'm going to place the mics.
I'm sick of doing bad things and liking it and then wondering what's wrong with me. I want it to be over. I want to start again.
You used to have to come to America for 18 months and drive around in a van, trying to get radio stations to play your song. But I remember One Direction's manager telling me that the first time they came to America, they hadn't released a song - they'd only been on 'The X Factor.' But there were 2,000 fans waiting at LAX airport.
If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.
I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
It's important for me to create a brand because branding allows me to create a lifestyle that goes beyond track & field. It also lets my fans and followers get a better picture of who I am as a person, my interests and my passions.
I want to show fans what I do best, which is hurt people in the ring and create knockouts. And at the end of the day, that's what fans want to see.
A lot of my fans wanted a kind of 'in your face' song. They wanted a song that exemplifies me overcoming the situation I was in and just that triumphant kind of song. So, I felt like I wanted to go ahead and get that out of both of our systems with 'Good Woman'.
I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump & Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
Some actors are like flowers basking in the sun - they love the attention, and the fans get what they want. With me it's different. I know the fans aren't getting what they want. And I'm certainly not getting what I want.