A Quote by Fabio Frizzi

Human warmth is perhaps the most lacking in a composer who lives his life in a recording studio. — © Fabio Frizzi
Human warmth is perhaps the most lacking in a composer who lives his life in a recording studio.
When one has praised Turgenev, however, for the beauty of his character and the beautiful truth of his art, one remembers that he, too, was human and therefore less than perfect. His chief failing was, perhaps, that of all the great artists, he was the most lacking in exuberance. That is why he began to be scorned in a world which rated exuberance higher than beauty or love or pity.
Everything has changed since I started recording in 1972. But the very things that have opened this industry, like the digital platforms to reach more people, have also killed things that were happening before in the recording studio. Now, most of the time, there are no real musicians in the studio; it's people with sequencers and things.
What is the importance of human lives? Is it their continuing alive for so many years like animals in a menagerie? The value of a man cannot be judged by the number of diseases from which he escapes. The value of a man is in his human qualities: in his character, in his conscience, in the nobility and magnanimity, of his soul. Torturing animals to prolong human life has separated science from the most important thing that life has produced - the human conscience.
Perhaps within the next hundred years, science will perfect a process of thought transference from composer to listener. The composer will sit alone on the concert stage and merely 'think' his idealized conception of his music. Instead of recordings of actual music sound, recordings will carry the brainwaves of the composer directly to the mind of the listener.
T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.
I have known Chithra long before I became a composer. Her growth has amazed me; she had not seemed extraordinary when I saw her singing at shows or recording tracks, for singers like S. Janaki and P. Susheela, at Tharangini Studio in Thiruvananthapuram.
From George Martin's classically inspired production of the Beatles to Peter Gabriel's early solo masterpieces, to Stereolab's beautiful loops and blips, U.K.-based bands have often found a way to squeeze warmth and compassion from the stone-cold - especially now that the tubes are gone - machinery of the recording studio.
Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence.
I had a recording contract with Capitol Records. I loved recording and being in that studio. I made four albums.
Mithoon is a composer who really likes to work a lot on his songs. He is like a small kid in the studio.
We with Michael Jackson were in the studio recording some work on "Man in the Mirror" or the duet. I can't remember which it was. We did the duet in three languages: English, French and Spanish. So, I spent like a week with him in the studio doing the three songs in different languages. It was just an awesome experience recording with him.
We honestly felt a bit more at home in the TV studio than we did in the recording studio.
I think it's great that people now have access to Pro Tools and other recording software at home. I've never understood how anyone could be comfortable in a recording studio
Perhaps the most powerful thing Christians can do to communicate to a skeptical world is to live fulfilled lives, exhibiting proof that Jesus' way truly leads to a life most abundant and most thirst-satisfying.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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