A Quote by Fabio Quagliarella
Napoli wanted to send me to Rubin Kazan, and I knew nothing about it.
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Even though I am at Turin and think about Juve, for me, Napoli is Napoli, and it is my home.
I received an offer from China: I would've earned an incredible sum. But Napoli didn't want me to go, and I wanted to stay. So nothing came of it.
I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
Napoli fans saw themselves in me. I knew I was not alone when entering the pitch, but I was there with a whole city.
I knew I had to be the best at something, otherwise I would be nothing. I knew I wanted the world to know about Brigitte Bardot.
When I decided to take on acting as a career and a profession, I didn't know much about it. I knew that I was passionate about it. There was nothing else I could think of that I wanted to do and that's when I knew it was the right choice. It was also one of the scariest moments of my life.
But in my defense, I knew enough about her to know I wanted to know everything else; I knew as much about her as she wanted me to know; I knew as much about her as anyone ever knows about anyone. And isn't love just curiosity at the beginning anyway?
[Warren's Beatty] first film being with this very important director [Elia Kazan], I think we related on that in a big way. And I just was genuinely curious about his experiences in film, and about the people he knew.
When I got together with Alec it took me a while to understand. I knew nothing about him before I met him. I'd never had a TV in my entire life, I knew nothing about it.
In Indiana, I knew the offense in and out. I knew spacing; I knew personnel. I knew the offense, how coach wanted to play me. So when I just wanted to take over and control the game, I could.
I met Rick Rubin through Cat Collins, a DJ friend of mine that had worked for Rubin at American Recordings.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
Rick Rubin's undulating face hair is just as famous as his body of work. In homage to the yogis he read about as a boy on Long Island, Rubin hasn't shaved since he was 23. It's long been his registered trademark.
Skating was something I really wanted to do; my parents knew nothing about it. They said they'd support me as long as I was trying my hardest and enjoying it.
Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.
Here am I, send me; send me to the ends of the earth; send me to the rough, the savage lost of the wilderness; send me from all that is called comfort on earth; send me even to death itself, if it be but in your service, and to promote your kingdom
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