I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
Sometimes when you see clothes online you don't quite believe those clothes: you think they've been airbrushed. On 'This Morning,' it's a really good opportunity to see how clothes work in real life.
The clothes in themselves are empty. But what they throw off and what clothes mean as signifiers is incredibly interesting - to see what people do with it. That's more interesting to me than flipping through a magazine or seeing the fall look.
I'm more old school: I want to be like Keith Richards on stage. It's not interesting to see straight-from-runway clothes slapped on an artist. It's more interesting when you see people who have their own style.
Everyone has to put clothes on in the morning, and it's interesting to see how much people's personal histories come into that decision.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
To me, the most emotional thing is to see regular people wearing our clothes. Yes, sometimes I see our clothes on somebody, and I think, 'No!', but you can't stop someone in the street and say, 'Please go home and change.'
We see fighters fight their whole career and never get a title shot. It doesn't matter if they rack up 10 wins if people think they're boring. We all know how it works.
How do people move on after they've lost the love of their life? It's a really interesting thing to look at. It happens to people every day: you see people... even in the worst, most war-torn places, people get up and continue with their lives. And it's a fascinating thing about human nature. That ability to just continue on.
You see Tom Brady, you see Alex Smith, and you see all those guys in the pocket and how quick they are with their footwork and how they get the ball out fast. I have to get like that.
That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening.
My goal has never been to see how many stats I can rack up.
You can't see a pistol bullet and you can't see a M14 bullet. One is traveling at 800 feet per second, the other is traveling at 4000, where you get to the point that you can't see it, that much faster than something you can't see is not physiologically interesting to you.
Things are because we see them, and what we see, and how we see it, depends on the Arts that influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it comes into existence.
Fashion is part of the daily air and it changes all the time, with all the events. You can even see the approaching of a revolution in clothes. You can see and feel everything in clothes.
... it's always interesting when one doesn't see. If you don't see what a thing means, you must be looking at it wrong way round.