A Quote by Fabricio Werdum
I worked as bricklayer, operating forklifts, building scenes for TV shows. I did everything. When I worked at the TV, I told them I would come back one day to give interviews, and they laughed at me.
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Most of the time, I don't think movies of TV shows are a great idea. It's worked a few times, but usually, I think that what's on TV works on TV.
The problem with me and TV shows is once I start watching them, I have to watch them all because I'm so impatient. I need the entire series to be on TV, and then I'll sit all day and watch the entire thing. So I did that with 'Homeland,' and I did that with 'Veep.'
Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.
In Australia, I wrote lots of little plays and put them on, and then I worked on a few different TV shows, like the Australian equivalent of 'SNL.' I would write and perform all of my characters.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
All my family worked for Puma. My mother worked there, and my father was the guy that opened and closed up in the evening. We lived in the neighbouring building - just a couple of steps, and I would be in the Puma factory. All 300 people that worked there knew me; it was my adventure playground. I knew everything, even how to make a shoe sole.
Having 'The Ultimate Fighter' was the thing that did it for us, live fighting on TV. That's what we had to do, was get a live fight on TV. It couldn't have worked out better.
My first celeb crush was Hanson. I loved all three of them. My sister and I would always fight, and whenever they would come on the TV, we would always give them a kiss on the TV. And I also had a crush on Jonathan Taylor Thomas. Every time he would come on the screen, he was like my boyfriend. I was such a nerd like that.
With TV-writing, you write scenes and those scenes pretty much stay as they are when you come to filming them. Sometimes you might change things on the day because of the location or the actors' availability issues.
TV is such a success nowadays because it gives back in a way that features can't. If you go to a film, you only get two hours of great storytellers and performers, and you pay top dollar for that. If you're subscribing to premium channels and you're getting all of these amazing TV shows, and you're watching them as you want, where you want, when you want, on what you want, I think that is the "the golden era of TV" in what television shows are offering to audiences. We're giving them a lot more. It's quality.
The thing that people should remember, is that back in the day, because wrestling does not have a season, every week is a week of first run TV. In the territories that I worked in, specifically, we never had a rerun. So those shows that aired, aired one time to their constituency.
My parents worked in the film industry, but they both worked behind the camera, so I like to think that I have a really good understanding of how all the parts of the puzzle come together to make a film or TV show.
With the way I worked, a client can give me everything they know about something, and then I go away and come back with advertising that knocks them out of their chair. They finally understand what kind of a company they are.
I worked in a steel mill, I worked in a foundry, I worked in a paper mill, I worked in a chemical refinery, construction, I did all that. It was great work, it was good. I learned welding, mechanic, carpentry, but it saved me from going back to prison because that's helpful. It's really sad because those jobs are gone.
I did everything. I worked at S.S. Kresge, the five-and-dime. I worked in a mailroom. I worked processing insurance claims.
I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.
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