A Quote by Fabrizio Moreira

The first aspect of a business that you need to make it work well is money. Once the money aspect is flowing, you can freely work on other aspects. — © Fabrizio Moreira
The first aspect of a business that you need to make it work well is money. Once the money aspect is flowing, you can freely work on other aspects.
There are so many different aspects of my life - the on-camera aspect, the laid-back aspect with my friends and family, the career-oriented aspect, the design aspect.
I must know every aspect of my personal finances. Managing your money will help you make your money work for you.
A living organism must be studied from two distinct aspects. One of these is the causal-analytic aspect which is so fruitfully applicable to ontogeny. The other is the historical descriptive aspect which is unravelling lines of phylogeny with ever-increasing precision. Each of these aspects may make suggestions concerning the possible significance of events seen under the other, but does not explain or translate them into simpler terms.
Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
Making money has always been pretty easy for me, but today I don't need any more money. I still work, because money is important, but my work is more important than the money, now. And that's a very big difference. I just work because I enjoy my work.
Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the fact that something can come up in a movie and literally put the whole movie on the line, and this is where producers have to earn their keep.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
The old model of the industry was founded largely upon business folk trying to make money off artists. At EMP, we let the music make the money, not the other way around. We have flipped the model to make the artistry be at the forefront of everything we do. Music makes the business and that's what makes it work.
As an entrepreneur, it's easy to feel ownership over every aspect of your business because you're putting your reputation, your money, and other people's money on the line. Oh, and you're sleeping, breathing, and eating your passion project - that, too. But if you try to do it all yourself, you're almost certain to fail.
People think that once a band is 'big' that they make a ton of money, but that's not true. It's hard to make money. It's financially a hard business until you hit gold. However, that only makes you strive toward your goal more and work harder because of it.
Sometimes I really need the money, really need to go straight to work. But if I had the absolute choice - money no object, my mortgage paid off - I'd really just work once or twice a year - but wouldn't everybody! - or at least do a different job sometimes.
I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.
I don't work for money any longer. I'm fortunate enough not to need to work for money, but I work for pride; I work because I love to work, and so the idea that one could lose control of one's own name and that things could be produced with your name on that you were not proud of scared me.
Without commenting on the legal aspects, which I'm not capable of doing, those are lifestreams and there are other companies that have done similar things. That makes me angry personally, not because of the money, but because of the deliberate failure to acknowledge work that we would have made freely available as academics.
There's an obligation to let people know where their money is going, so the tour has an educational aspect, mostly as a way to thank people. But the most practical use is to raise money and do the research to figure out the proper ways to spend it. You want to make sure that the money doesn't just go somewhere where it does more harm than good.
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