A Quote by Fahadh Faasil
I know it's a big gamble, but I want to do good films.
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It was a big gamble to come to WWE, and it was a big gamble to come to NXT. Honestly, the gamble paid off.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
I think a lot of people like to gamble, and they don't want to go to the casino to gamble. Sometimes they want to do it in the privacy of their home. They can't concentrate the way they want to in a gambling casino.
For more than two decades Chicagoans have routinely traveled to neighboring cities like Rosemont, Elgin, Joliet, Gary and Hammond to gamble. If people in Chicago want to gamble, then they should be able to gamble in Chicago at a city-owned, land-based casino.
I sometimes hear people say women don't want to direct studio films, but I do. I want to direct big films, little films, TV. I want to do it all.
I love 'Lawrence of Arabia,' big sweeping films. I want my films to feel that way, to be on a big canvas.
Although I don't gamble in life - I've never played poker - I do gamble on stage. I gamble with myself: 'Can I do this?'
Sometimes you think the movie is good and BOOM! Sometimes you think it's no good. BAAM! The movie business is a big gamble. You never know.
If you work with big stars, then they become the lead actors. It's not that I don't want to do films with big stars, but I would rather do the films where I get the title roles.
I like a lot of good European films, good - anything really. I'm a big fan of Netflix and I get films from them all the time. If I hear about something that I don't know, that I haven't seen, forgot about, I immediately jot it down and add it to my Netflix list or if there's a film that's available that I haven't seen for many years, I get that.
The good thing about films is, you never know how good they will be. If there was a formula, there would only be good films!
You don't gamble to win. You gamble so you can gamble the next day.
I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."
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