The five directors in '5 Sundarikal' experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
All my mistakes, all my accomplishments, the good things I've done, the bad I've done, and the mistakes I've learned from, the mistakes I've never done before - all of that made me into what I am now.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
I found the people to be very kind and generous. It was unique because the crew was mainly Ugandan [filming The Last King of Scotland]. They had never done a film before. So, they were learning the process of making films, but at the same time they were also helping with the authenticity of the film.
I'm from New York, and yet I've done only one film executive-produced by Spike Lee and have never done a film that Spike Lee directed. I've never done a film that Keenan Wayans has directed, or Bill Duke.
An entrepreneur is somebody who is taking bold risks, is often doing things that have never been done before, trying to do things better. And an adventurer is challenging themselves, often doing things that have never been done before, seeing what they're capable of. In both cases, you've got to protect against the downside.
With most movies I've done before, I've done a lot of preparation. I've known about them long before [shooting], and I've prepped and changed my body and done research, and all the things you could imagine.
I could have spread my wings and done a thousand things I've never done before.
I was very hesitant about doing a period film. It was very much out of my comfort zone; I'd never done anything like that before.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
I think a lot of people who go to drama school have this ease with the text and they all have five monologues that they know by heart, and I never had that. I've done Chekov and I've done Moliere and I've done classic stuff
I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.
I got the 'Stranger Things' script, like, a week before NBC canceled 'State of Affairs.' I really had this moment where I'm like, 'I'm done.' My neuroses is very sophisticated: I was like, 'I am done. Hollywood is done with David Harbour. They are finished.'
When I was made captain, one of my things was that whatever happens in those four years, you don't want to make major changes just before a World Cup. We'd done it before, and it never worked.
After I began working, I realised there's no end line. I believe that money has nothing to do with your personal success. On the face of it, I'm the biggest capitalist of all. I have all the riches. I'm the living proof of what stardom should be in material terms. But I've never sold my soul. I've not done anything which I didn't want to do. I've not done films for money. I'm not saying this with arrogance but I've never asked for a film.
I get to work on things I've never done before and I get better at it, and I can do things that are innovative. Which I've done in my fifties, and want to continue to do through my sixties.
In God's world, for those who are in earnest, there is no failure. No work truly done, no word earnestly spoken, no sacrifice freely made, was ever made in vain (as long as it was done out of love, not personal glory)