A Quote by Fahadh Faasil

I have always maintained that the audience should take a call on this. Its up to them to decide whether they want to see a pirated version or not. They should understand the effort and amount of hard work that go into a film.
I have always maintained that it's not the quantity of work, but the quality that should speak. I have maintained the same for my music albums, too. I have always released them after a gap of two to three years.
As a viewer, I decide when I see the promo of a film whether I want to watch it or not. No amount of marketing can convince me otherwise.
We put in the same amount of time, effort, and we do the same amount of work requirements. We feel like that should be equal, and we should get the same amount of money as the men.
Police vetting should [take place] every one to two years. They should go in for a psychological, to see if they're burned out, see if they've been traumatized. If they're having a hard time, help them!
I believe that if you go and see a film you should have to sort of invest something yourself and you have to do a little bit of the work as an audience member, so when you leave the cinema you should be having those conversations either with yourself - if you're crazy like me- or with friends afterwards.
We work hard on every film, and then it's up to the audience whether they like it or not. At the end of the day, it is the audience wish what to accept and what not.
My firm belief is that people who aspire to public service should have the best advice up front, as they decide whether to run and the people decide whether to support them.
On every film I do, whenever there are other girls my age, I think it's definitely up to me to set the pace. That's because I've had a lot of experience and I think there's always a certain amount of professionalism that should be maintained. If I was catty or whatever, it would just make the whole shoot unpleasant. And what's the point of that?
If the goal is to realize the Supreme Being, you should become egoless. That requires self-effort. The sadhak should work hard. He should pray sincerely for the removal of the negative tendencies. This prayer is not to achieve anything or to fulfill any desires. It is to go beyond all achievements. It is to transcend all desires.
The question should not be whether or not police are allowed to confront suspects; it should be about how we train them. The question should not be whether we have police; it should be how we use them. The question should not be whether judges should have the ability to protect New Yorkers from violent offenders; it should be how we let them.
I am against censorship in any form. I think anybody should be able to make any movie he or she wants and let the public decide. If it's disgusting and they don't want to see it, they won't go. I believe in the audience.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
As a professional photographer I take photographs for other people to see - but I want them to see what I see. So I never assume that only a few people will appreciate what I do. At all times, the public should be able to understand what I've done, even if they don't understand how I've done it.
Painting can also be too earnest at times and that's a drag. You don't want to go in that direction either. It should be holistic. It should represent the whole of your personality, I guess, so if somebody is a sincere painter or an ironic painter, then they're just bullshitting the audience and presenting only an idealized version of themselves.
I always want to be growing in my craft. Any artist should - whether you paint, whether you do music or film - always grow and study.
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