A Quote by Faina Ranevskaya

Beauty is a horrible power. — © Faina Ranevskaya
Beauty is a horrible power.

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Where beauty is worshipped for beauty's sake as a goddess, independent of and superior to morality and philosophy, the most horrible putrefaction is apt to set in. The lives of the aesthetes are the far from edifying commentary on the religion of beauty.
Such power!" Adelaida cried all at once, peering greedily at the portrait over her sister's shoulder. "Where? What power?" Lizaveta Prokofyevna asked sharply. "Such beauty has power," Adelaida said hotly. "You can overturn the world with such beauty.
The power of association is stronger than the power of beauty; therefore, the power of association is the power of beauty.
Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
Yeah, it was horrible! I mean really horrible. I felt incredibly awkward. It was not something I was [looking forward to]. I don't know, but it looked good. We somehow managed to make it look realistic. I was proud of myself that I managed to power through and be professional.
I think it's the idea that beauty could be power, and that with power comes immortality, and with power comes control, and all of these other things are blocking her heart.
Predominantly, crimes and horrible, horrible, horrible judgment don't have to do with sociopaths. It has to do with people who are not capable of maintaining or managing their frailties.
It's horrible, horrible, horrible. It took a year and a half until I found out that I had post-natal depression.
It's a repressive society where you can't be horrible, I'm not horrible, they made me horrible, I'm just honest.
The critic is beneath the maker, but is his needed friend. The critic is not a base caviler, but the younger brother of genius. Next to invention is the power of interpreting invention; next to beauty the power of appreciating beauty. And of making others appreciate it.
I'll drive both of you," Seb offered at once. Mae nodded at him with gratitude. "No," Jamie said sternly. "I'm never getting into your horrible car. I promised myself that, because--it's horrible, and you're horrible. So take that!
Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.
I have absolutely no empathy for camels. I didn't care for being abused in the Middle East by those horrible, horrible, horrible creatures. They don't like people. It's not at all like the relationship between horses and humans.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
For me it's really important that the work here displays an aesthetic of decay along with the sunken boat with the broken ceramic pieces. They form a unity in showing the power of destruction, the beauty of destruction, whether it's from nature - because the boat has sunk - or through other forces. It's really the beauty of decay and death that holds a power here.
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