A Quote by Faith Adiele

I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
I see all art as a complement to telling people's stories. I'm in the storytelling business. I believe that the humanity that all of us share is the stories of our lives, and everybody has a story. Your story is as important as the next person's story.
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
I want to do stuff like 'Lady Bird.' I want people to say, 'She told amazing stories.'
I was a first-generation college student as well as the first in our family to be born in America - my parents were born in Cuba - and we didn't yet know that families were supposed to leave pretty much right after they unloaded your stuff from the car.
I don't believe in Gods and devils. I think it's man-made stories to try and help people understand where all this came from. They said 'Where did the world come from if there's no God', 'Where did life come from'. Just say 'I don't know'. Don't say some guy made a man and a woman. You have no business doing that, you know what I mean? And then He got mad and flooded the whole world; told Noah to build an arc. These are terrible stories.
I went to Jerusalem, the dead sea, it was just amazing. Because what we see in the TV, I'm sorry to say it, I don't want to insult nobody, but a lot of the image that we see from the middle east in Canada - It's sad to say but it's always bad stuff. I was thinking coming here it would be a lot of military, security, everybody would be a little more on the edge, but I see it's amazing. It feels a little bit similar to Miami.
My generation, we're so smart and opinionated, and we know the world we want to live in; we know the future we want. We're such a liberal, forward-thinking generation that's been held back by an older generation that doesn't understand it, doesn't want the world to progress quickly because of old ideologies.
Yes, we could talk to you for days on end about all the bad first dates. Those are stories. Funny stories. Awkward stories. Stories we love to share, because by sharing them, we get something out of the hour or two we wasted on the wrong person. But that's all bad first dates are: short stories. Good first dates are more than short stories. They are first chapters. On a good first date, everything is springtime. And when a good first date becomes a relationship, the springtime lingers. Even after it's over, there can be springtime.
What I want to do is basically tell my generation's story about how music and culture helped affect a generation, and a generation that's so profound, that it went on to elect the first African-American president.
I write because the lives of all of us are stories. If enough of those stories are told, then perhaps we will begin to see that our lives are the same story. The differences are merely in the details.
There's something exhilarating about telling stories that haven't been shared before and haven't been told publicly before. The last thing I want to be doing is telling stories other people have already told. That's not to say that there isn't important work out there about people in positions of power, but I know my strength. Even when I was at the Wall Street Journal 10 years ago, this is what I wrote about.
I think that a lot of the stories I would see was kids who are first-generation immigrants, watching them try to rip themselves from their family and their faith and kind of erase. I hadn't really seen anything where someone's trying to reconcile the two.
If you read my short stories, there's a lot of sex in those in all different ways. To me, it's a really good, useful thing to get to have in a story. And in a movie, it's amazing, because you actually get to show things.
There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach.
The stories I always see about a first-generation kid trying to erase where they came from, or trying to just be white, I would watch those shows or movies and I was like, 'I don't get this.' This isn't how I feel.
Stories are really important to people and can really change the way they understand, and even live, their lives. As such, I don't agree much with people who say, 'Calm down, it's just a story.'
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