A Quote by Faith Evans

I can mourn internally, just be quiet about it. I have my moments but I'm not a real, expressive person, especially when it comes to like sadness. — © Faith Evans
I can mourn internally, just be quiet about it. I have my moments but I'm not a real, expressive person, especially when it comes to like sadness.
I can usually tell when a woman is going through a divorce because they look so gaunt and tired and sad. It's just a huge sadness. It's horrible. It's like death. You mourn, but the person's still there.
The darkest moments for me weren't necessarily winding up in the hospital or anything like that. It was those quiet moments alone when I just hated the person I had become.
One of the grubby truths about a loss is that you don't just mourn the dead person, you mourn the person you got to be when the lost one was alive. This loss might even be what affects you the most.
I really love that dynamic between beauty and sadness...theres always these moments of quiet alienation, the sense of disconnect, but also, these moments of possibility.
Joys as winged dreams fly fast, / Why should sadness longer last? / Grief is but a wound to woe; / Gentlest fair, mourn, mourn no moe.
I felt like I could write about quiet, self-contained moments and also about those moments when the world rushes in again.
Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
Don't be afraid to be ugly on Snapchat at 2 a.m. when you wake up and roll out of bed. It's those real moments that create that a connection; it's like, 'Hey, this person is just like me.'
These are the only two situations possible, and you are in the sad situation. Everybody may know about you - who you are - but you yourself are completely oblivious of your transcendence, of your real nature, of your authentic being. This is the only sadness in life. You can find many excuses, but the real sadness is this: you don't know who you are. How can a person be happy not knowing who he is, not knowing from where he comes, not knowing where he is going? A thousand and one problems arise because of this basic self-ignorance.
But to mourn, that's different. To mourn is to be eaten alive with homesickness for the person.
I don't like violence, in reel or real life. I prefer the quiet, beautiful genre of movies where everything is rosy and pleasant. I stay away from extreme sadness in my scripts and, somehow, I can't make movies for kids.
Knowing about comedy has helped me with the drama. To see people laugh, it's like there are moments of catharsis in the middle of sadness.
That's still the greatest high, that feeling of being in control of 2,000 people. It's me and them, and I like the odds. It's not even so much the funny. It's getting them quiet. In the quiet moments in '700 Sundays,' I just really love that they're getting moved.
The things we call cultures are dynamic, internally diverse, and their interpretation is internally contested among its members. Cultures are like ongoing conversations with many voices, often telling stories about who "we" are.
My dad, like many Southern men, is this very emotionally expressive person who isn't as articulate in words about his feelings as he is with breaking a chair or something like that.
This site uses cookies to ensure you get the best experience. More info...
Got it!