A Quote by Faith Hill
I'm still proud of what I've done, even if it hasn't been the biggest song on the radio or hasn't gone to number one.
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I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.
I think 'All Out of Love' is my favorite song because it's been the most successful. It's been in about 30 movies, it's been a number one record, and it keeps getting played on the radio, it's always somewhere.
I'm still really proud of Rage as much as I am of Audioslave. I still love it when I turn on the radio and I hear a Rage song. I love that.
We may not be proud of every song we've ever done - or been forced to do - but I believe we've done more than meets the eye.
I'm so honored to be on this recording with Ann & Nancy Wilson. They are iconic and I've truly been one of their biggest fans since I was a kid. And what a perfect song to sing with them, since I adore Vince Gill and have been very proud for his commitment to his own musical vision. When we were recording at Nancy's house, and even though I'm friends with those girls now, I had to keep 'pinching' myself and marvel at how blessed my life is! It was a very PROUD moment for me.
I'm proud to be an Oakie from Muskogee, a place where even squares can have a ball. We still wave Old Glory down at the courthouse and white lightning's still the biggest thrill of all.
We've never tried to write radio hits. If I hear our song on the radio, it's cool, and I'm proud, but it's never a goal.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
I have never been able to remember the number of my driver's license, and there have been times when I couldn't even remember my own telephone number, but when I hear a song, sometimes only once, I never forget the melody or the lyric.
My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.
Radio dramas have disappeared. What we do have now is books on tape, which I find wonderful. I've done some of those. Otherwise, radio acting is now gone.
Most of the time, I can't listen to the song after the video's done. Sometimes I'll hear a song that I've worked on at a restaurant or on the radio, and I'll have this visceral physical reaction.
Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
Although it's pretty rare that I'll get completed, finished lyrics to a song and feel like it's done, and then decide that it's not worth doing. Usually, I can tell along the way - even if it's something I've been working on for a couple of months - that it's just not going to work. Maybe I'll come back to it a few months or even a year later, or maybe it's just gone.
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