A Quote by Faith Popcorn

Cocooning is about insulation and avoidance, peace and protection, coziness and control - a sort of hyper-nesting. — © Faith Popcorn
Cocooning is about insulation and avoidance, peace and protection, coziness and control - a sort of hyper-nesting.
The avoidance of that which causes you pain does not produce enlightenment. It produces avoidance. Religion is the avoidance of pain and suffering.
The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented. If so much of your experience is devoted to the thought of documentation, you're already sort of spinning out this narrative from this moment that you are attempting to control instead of just experiencing it.
My high school job was putting insulation in attics - in Louisiana in the summer. It must have been 95 degrees every day, and the insulation used to get all over me. It was not fun. But I didn't know any different. It wasn't like I was spending summers on Cape Cod.
We have embraced the 21st century by entering such cutting-edge industries as brick, carpet, insulation and paint. Try to control your excitement.
I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.
I had, by thirteen, developed a sort of Taoist hubris about my ability to control via non-control.
The main thing is you have to be under the protection of spirituality, under the protection of morality, under the protection of divine laws. If you're not under that protection, you can get caught up into anything.
This weapon [the atomic bomb] has added an additional responsibility - or, better, an additional incentive - to find a sound basis for lasting peace. It provides an overwhelming inducement for the avoidance of war. It emphasizes the crisis we face in international matters and strengthens the conviction that adequate safeguards for peace must be found.
We need to think about encryption not as this sort of arcane, black art. It's a basic protection.
I'm from the Midwest, and I loved my family. I had a very good time as a child, but I was also - I have a theory about Jews growing up in the Midwest, that there is an ultimately sort of wonderful avoidance of a lot of things, and a great acceptance of whatever is happening.
Everything is pointing to one's own activity of looking, to an awareness and sort of hyper-consciousness of visual perception. The only way I know how to invite this experience is by removing the other things (i.e., subject matter) for you to think about.
Capital requires protection, as do the institutions through which it operates. As capital expands its operations, the state that is associated with its protection must develop its capacity for autocratic control. Thus, the "Free World" increasingly resembles a dreary string of heartless police states.
The NBA is a job. Just like any other job complaining about opportunity doesn't solve anything. The only thing you can do is control what you can control, and when you are at peace with the work you put in then you don't have any regrets and that's truly the main thing about this journey.
One of the most persistent ambiguities that we face is that everybody talks about peace as a goal. However, it does not take sharpest-eyed sophistication to discern that while everbody talks about peace, peace has become practically nobody's business among the power-wielders. Many men cry Peace! Peace! but they refuse to do the things that make for peace.
He said I was the most sensitive person he had ever seen- that I belonged to the hyper-hyper type and we rarely survive!
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
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