A Quote by Faith Prince

I've got all these great broads in me, all these character women. I was playing a torn-down stripper at twenty-five on Broadway, and now I fit the shoes. — © Faith Prince
I've got all these great broads in me, all these character women. I was playing a torn-down stripper at twenty-five on Broadway, and now I fit the shoes.
Shoes for men are about elegance or wealth, they are not playing with the inner character. That is why women are happy to wear painful shoes.
I never intended to go to Broadway. I was very happy being in an Off Broadway theater and having an Off Broadway life. What it did to me is try to fit a round peg - that's me - into a whole bunch of square buildings. I just didn't fit.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Life is short. From here to that old car you know so well there is a stretch of twenty, twenty-five paces. It is a very short walk. Make those twenty-five steps. Now. Right now. Come just as you are. And we shall live happily ever after.
People who read me seem to be divided into four groups: twenty-five percent like me for the right reasons; twenty-five percent like me for the wrong reasons; twenty-five percent hate me for the wrong reasons; twenty-five percent hate me for the right reasons. It's that last twenty-five percent that worries me.
Back in the Sinatra era, you called women "broads," and the broads didn't mind. If Sinatra called you a broad, you were flattered. When Sinatra walked in, and you know what you did? You ran up and you tried to kiss him. Who hasn't seen women throwing their underwear at the Beatles and this kind of thing?
People learn twenty-five percent from their teacher, twenty-five percent from listening to themselves, twenty-five percent from their friends, and twenty-five percent from time.
When I got to Broadway, I conducted five Broadway shows.
I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired.
People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?
A good Dianetic auditor can take a broken-down, sorrow-drenched lady of thirty-eight and knock out her past periods of physical and mental pain and have on his hands somebody who appears to be twenty-five-and a bright, cheerful twenty-five at that.
Any character, for me, always comes together in the hair, makeup, and wardrobe. Shoes especially. For some reason, shoes really do it for me because they help me figure out how the character walks.
For males twenty-five is the fatal age. For women it's twenty. We are all dropping like flies.
I saw an advertisement the other day for the secret of life. It said "The secret of life can be yours for twenty-five shillings. Sent to Secret of Life Institute, Willesden." So I wrote away, seemed a good bargain, secret of life, twenty-five shillings. And I got a letter back saying, "If you think you can get the secret of life for twenty-five shillings, you don't deserve to have it. Send fifty shillings for the secret of life."
I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.
I'm a giant person. I can't go and buy women's shoes in a shoe store. I don't even go in the shoe section because it just breaks my heart because the shoes are so beautiful, but they don't fit me.
This site uses cookies to ensure you get the best experience. More info...
Got it!