A Quote by Faith Ringgold
Every time people struggle, they survive, they do better, and then they forget, and they end up back where they started from.
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I struggle every day with trying to be a better dad, a better husband, better musician, better artist. It consumes me, and I don't see an end in sight.
I am the harvest of man's stupidity. I am the fruit of the holocaust. I prayed like you to survive, but look at me now. It is over for us who are dead, but you must struggle, and will carry the memories all your life. People back home will wonder why you can't forget.
I think when I started to get in shape and spend time at the gym, I could be better to other people and be better to myself and get back to loving fashion and experience it myself. I started to wear kilts and lace dresses.
When you look back at your body of work, no matter what your career path, by the time you hang 'em up, if you can say, 'This place is in better shape than when I started,' then you did good.
As actors, we deal with rejection so much more than any other business. So I don't care how much of a genius you are, if you don't have the propensity to be able to get back up every time you get knocked down, then you're not going to survive.
Let's just say that where a change was required, I adjusted. In every relationship that exists, people have to seek a way to survive. If you really care about the person, you do what's necessary, or that's the end. For the first time, I found that I really could change, and the qualities I most admired in myself I gave up. I stopped being loud and bossy... Oh, all right. I was still loud and bossy, but only behind his back.
Yeah, I started on YouTube. I posted videos every Friday and wrote new songs every week. Back then, I was in a very vulnerable place with all my fans. Now in a pandemic, it feels like I'm going back to my roots and playing on my OG piano that I played when I first started.
People say that steadiness of mind is an end; no, it is a beginning. I am there; I can explain everything up to that point. Then I struggle to discover what comes after, so this steadiness is not an end, it is the beginning and the instrument.
I started with rock n' roll and...then you start to take it apart like a child with a toy and you see there's blues and there's country...Then you go back from country into American music...and you end up in Scotland and Ireland eventually.
Our bodies must always be wherever that struggle and the moment we forget that, the moment we become lazy, the moment we sit back, then then the evil ones do their ordained tasks to us.
I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.
When you get a typical injury, you're given a time frame; you're gradually working towards getting back. With concussions, there is not generally a time frame or a span where you're feeling better. You feel like you're getting better, and it can be one day and you're back to where you started.
As time goes by, as time goes by, the whip-crack of the years, the precipice of illusions, the ravine that swallows up all human endeavour except the struggle to survive.
I try new stuff every time I perform. I have steps I do that I know are definite, and stuff I can make up right then and there and then forget.
I remember it all: every word, every breath, every tick of the clock . . . everything that happened is with me forever. I can never forget it. But that dosen't mean I can live it again. You can't live what's gone, you can only remember it, and memories have no life. They're just pale reminders of a time that's gone - like faded photographs, or a dried-up daisy chain at the back of a drawer. They have no substance. They can't take you back. Nothing can take you back. Nothing can be the same as it was. Nothing is. All I can do is tell it.
I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.
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