A Quote by Faith Ringgold

I had this idea that I wanted to do this mixture of visions of African American women and visions of African American men. And call it 'The Men' and call it 'The Women' and show different faces of these two people.
Denys Cowan and Dwayne Turner's visions of Wakanda as an ersatz African Epcot Center opened my eyes to the unexploited possibilities; these men, both of whom are African American, together with writer Peter B. Gillis, created an African Asgard of sorts, and I just went, 'Oh, my.'
I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.
The potential significance of Black feminist thought goes far beyond demonstrating that African-American women can be theorists. Like Black feminist practice, which it reflects and which it seeks to foster, Black feminist thought can create a collective identity among African-American women about the dimensions of a Black women's standpoint. Through the process of rearticulating, Black feminist thought can offer African-American women a different view of ourselves and our worlds
Many African-American men are incarcerated. And so African-American women do carry an enormous burden. And traditionally have carried a greater burden than perhaps their white counterparts.
In popular culture, there is this notion that African-American men and women can't get together, and we're having these issues. I think it's an American problem because I know a lot of white women and men who are having just as many issues trying to find 'that person' as anyone.
The most important thing in my life is that trying to ameliorate, redeem, the image in particular of African American men, or Black men - I don't really even like that term, "African American," because we're Black people.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
The [Steve Harvey] foundation started originally about the educational needs of children. But, as I got into it more and more, one of my main objectives became mentoring programs for young African American men because that's our problem in our community - it's the African American men.
Women in Africa are really the pillar of the society, are the most productive segment of society, actually. Women do kids. Women do cooking. Women doing everything. And yet, their position in society is totally unacceptable. And the way African men treat African women is total unacceptable.
There are no words to express the extraordinary strength and character of this breed of people we call American. They are the kind of men and women Tom Paine had in mind when he wrote, during the darkest days of the American Revolution, we have it in our power to begin the world over again.
One of the reasons that the African American actors wanted to be a part of the show was because these people are talking to each other the way that African American people talk to each other, and they said that they didn't see that on TV.
It's important for women to understand that it's bad enough that we don't make dollar-for-dollar what men do, but when you distill that down to women of color, our Latinas and our African American women, it's even less than that 78 cents.
I think, though, as African-American women, we are always trained to value our community even at the expense of ourselves, and so we attempt to protect the African-American community.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
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