A Quote by Faith Salie
Women all over this great land are creating spaces just for themselves, most often out of sheds in their backyards. They're fantasy cottages, bespoke bungalows, 'mama maisons,' if you will, for mothers and wives who need a sanctuary - a haven where they can do anything, or nothing.
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We broke through the feminine mystique and women who were wives, mothers and housewives began to find themselves as people. That didn't mean they stopped, or had to stop, being mothers, wives or even liking their homes.
When that mama worry takes ahold of a woman you can't expect no sense from her. She'll do or say anything at all and you just better hope you ain't in her way. That's the Lord's doing right there. He made mothers to be like that on account of children need protecting and the men ain't around to do it most of the time. Helping that child be up to the mama. But God never gives us a task without giving us the means to see it through. That mama worry come straight from Him, it make it so she can't help but look after that child.
Honey, there’s not a single woman in this town who doesn’t know about Sanctuary, Land of the Bodacious Gods. Heck, me and my girlfriends want to get together and vote Mama Lo an award for her policy against hiring any man not seriously buff…Not that you’re not buff. You can certainly hold your own against the Sanctuary Hotties. But face it, haven’t you ever noticed that this place is like Hooters for women? (Sunshine) No, I can honestly say that I’ve never noticed how good-looking the men at Sanctuary are. Nor have I ever cared. (Talon)
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
Oftentimes, secrecy involves creating spaces that are outside of the law but are outside the normal channels of oversight. And I think it's pretty easy to see that if you create spaces that are essentially outside the law, then you're creating spaces where anything can happen.
Cities at night, I feel, contain men who cry in their sleep and then say Nothing. It's nothing. Just sad dreams. Or something like that...Swing low in your weep ship, with your tear scans and sob probes, and you would mark them. Women--and they can be wives, lovers, gaunt muses, fat nurses, obsessions, devourers, exes, nemeses--will wake and turn to these men and ask, with female need-to-know, "What is it?" And the men will say, "Nothing. No it isn't anything really. Just sad dreams.
Women can be strong, be smart, be sexy, be mothers, be wives, and be powerful. We don't need to compromise.
In India, women are respected the most. Mothers, wives, sisters, daughters.
What if more women, mothers, gave birth as an ecstatic celebration of female sexuality? Mothers who do will often declare, "Now I can do anything!" What would the world look like if half of our population felt empowered to make a difference with their lives?
Women themselves condition their daughters to serve the system of male primacy. If a daughter challenges it, the mother will generally defend the system rather than her daughter. These mothers, victims themselves, have unwittingly become wounded wounders. Women need to attack culture's oppression of women, for there truly is a godlike socializing power that induces women to "buy in" or collude, but we also need to confront our own part in accepting male dominance and take responsibility where appropriate.
Women's roles in the movies remain, for the most part, girlfriends, mothers, wives.
Historically, the women who have been the great painters of the canon have very often have been the wives or daughters of supportive men. Like Artemisia, whose father was a very established painter. I will say that the two current contemporary artists I admire the most are women: Kara Walker and Swoon.
Modern women are just bombarded. There's nothing but media telling us we're all supposed to be great cooks, have great style, be great in bed, be the best mothers, speak seven languages, and be able to understand derivatives. And we don't really have women we're modeling after, so we're all looking for how to do this.
I would like especially to mention you, the women, wives and mothers of Paraguay, who at great cost and sacrifice were able to lift up a country defeated, devastated and laid low by an abominable war. God bless your perseverance, God bless and encourage your faith, God bless the women of Paraguay, the most glorious women of America.
I do feel that film and TV are often behind when it comes to the way women look, they often dress them in khakis and denim shirts, but women and mothers these days look great and films need to reflect that. Real people look very fashionable, moms are at the forefront of the style. But things are getting better in that way.
If indeed it's a race Then the chicks do the most It isn't a brag Or an estrogen boast It's the women who've led me With big open hearts If not for their love I'd have failed at the start. And it's not just the mothers I speak of them ALL It's a woman there first When somebody falls. The multi of tasking That's easy to tease I dare a great man To try it all, PLEASE! So this is my shout out My rallying cry To women all over I hold you up high And though there are others Who'll think this poem strange It's the women who plant The root of big change.
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